{"pk":19991,"title":"“Pañales rojos” (o el archivo afectivo de una infancia revolucionaria)","subtitle":null,"abstract":"Este artículo postula el valor afectivo del archivo histórico en el estudio de la inscripción de América Latina en la compleja cartografía de la izquierda revolucionaria. Por archivo afectivo se entienden los registros escritos y orales marcados por estructuras de sentidos y sentimientos. ¿Cómo pensar la correspondencia personal, los álbumes familiares o las brumosas reminiscencias de infancia en la reconstrucción del vínculo entre naciones del antiguamente llamado Tercer Mundo? A través del análisis de \nHotel de la Amistad\n (2016), de Pablo y Yuri Doudchitzky; \nA ponte de bambú\n (2019), de Marcelo Machado, y \nCartas de Jingzhai \n(2014), de Víctor Ochoa-Piccardo, el ensayo destaca que, más que una reconstrucción histórica de la Revolución Cultural (1966-1976), estos registros resignifican la mirada retrospectiva de los hijos de los protagonistas del viaje revolucionario. A sus ojos, se vuelven disparadores de nuevas preguntas acerca de la herencia, el compromiso político y, sobre todo, de la relación actual entre el arte y la política.\nThis article postulates the affective value of the historical archive in the study of the inscription of Latin America in the complex cartography of the Revolutionary Left . By affective archive I understand written and oral records marked by sensorial and emotional experiences. How do personal correspondence, family albums, or foggy childhood memories help reconstruct the links between nations of the formerly called Third World? Through the analysis of \nHotel de la Amistad\n (2016) by Pablo and Yuri Doudchitzky, \nA ponte de bambú\n (2019) by Marcelo Machado, and \nCartas de Jingzhai\n (2014) by Víctor Ochoa-Piccardo, the essay argues that rather than a historical reconstruction of the Cultural Revolution (1966-1976), these registers reshape the understanding of the protagonists’ children regarding their parents’ revolutionary journey. In their eyes, these become grounds for  questions about inheritance, political commitment, and, especially, the current relationship between art and politics.","language":"en","license":{"name":"Creative Commons Attribution 4.0","short_name":"CC BY 4.0","text":"Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\r\n\r\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.","url":"https://creativecommons.org/licenses/by/4.0"},"keywords":[{"word":"archivo afectivo, memoria, relaciones filiales, Revolución Cultural, izquierda revolucionaria"}],"section":"Article","is_remote":true,"remote_url":"https://escholarship.org/uc/item/0nd7j0gk","frozenauthors":[{"first_name":"Rosario","middle_name":"","last_name":"Hubert","name_suffix":"","institution":"","department":"None"}],"date_submitted":"2020-05-14T01:11:27Z","date_accepted":"2020-05-14T01:11:27Z","date_published":"2020-01-01T00:00:00Z","render_galley":null,"galleys":[{"label":"","type":"pdf","path":"https://journalpub.escholarship.org/transmodernity/article/19991/galley/9929/download/"}]}