{"pk":55595,"title":"The Passage Back: Cultural Appropriation and Incorporation in Paule Marshall's Praisesong for the Widow","subtitle":null,"abstract":"No abstract","language":"en","license":null,"keywords":[],"section":"Articles","is_remote":true,"remote_url":"https://escholarship.org/uc/item/0j20m8g7","frozenauthors":[{"first_name":"Mary","middle_name":"","last_name":"Lederer","name_suffix":"","institution":"","department":""}],"date_submitted":"2013-03-18T04:46:15-04:00","date_accepted":"2013-03-18T04:46:15-04:00","date_published":"1992-12-31T19:00:00-05:00","render_galley":null,"galleys":[{"label":"","type":"pdf","path":"https://journalpub.escholarship.org/ufahamu/article/55595/galley/41976/download/"}]}