{"pk":57061,"title":"Samuel Zyman’s \"Concerto for Cello and Orchestra\": An Analytical Approach","subtitle":null,"abstract":"A professor at The Juilliard School since 1986, Zyman is one of Mexico’s foremost composers of today. His cello concerto (1990) exhibits solid technique, intense expression, and effective interaction between soloist and orchestra. The author demonstrates much stylistic and formal freedom. His \nopus\n mixes both antique and modern references within traditional instrumental usage and prevailing neomodal flair. One outstanding feature is the full exploitation of a basic melody to generate an interrelated musical idiom that reveals both unity and variety. The appendix contains an interview with the Mexican artist.","language":"en","license":{"name":"Creative Commons Attribution 4.0","short_name":"CC BY 4.0","text":"Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\n\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.","url":"https://creativecommons.org/licenses/by/4.0"},"keywords":[{"word":"Samuel Zyman"},{"word":"Mexican composers"},{"word":"Concerto for violoncello and orchestra"},{"word":"compositores mexicanos"},{"word":"concierto para violonchelo y orquesta"}],"section":"ARTICLES","is_remote":true,"remote_url":"https://escholarship.org/uc/item/7gn7d1ng","frozenauthors":[{"first_name":"Jorge","middle_name":"","last_name":"Barrón Corvera","name_suffix":"","institution":"Universidad Autónoma de Zacatecas","department":""}],"date_submitted":"2020-04-28T04:10:13Z","date_accepted":"2020-04-28T04:10:13Z","date_published":"2020-01-01T00:00:00Z","render_galley":null,"galleys":[{"label":"","type":"pdf","path":"https://journalpub.escholarship.org/diagonal/article/57061/galley/43261/download/"}]}