{"pk":63110,"title":"Reactivation and Reconnection at the Chamorro Latte Ceremony at the Bishop Museum","subtitle":null,"abstract":"<p><em><span style='font-size: 12.0pt; line-height: 115%; font-family: \"Calibri\",sans-serif;'>On June 15, 2024, during the 13th Festival of Pacific Arts and Culture (FestPAC), the Bishop Museum held a ceremony honoring the latte—ancient Chamorro megalithic stone house pillars—that the museum stewards. Unlawfully removed from the Mariana Islands in the 1920s, these latte, along with over 10,000 artifacts, had been recently relocated to the Bishop Museum’s central courtyard by Hawaiian Chamorro diaspora members. The 2024 ceremony, attended by members of the Chamorro diaspora from the US and FestPAC delegates from </span><span style='font-size: 12.0pt; line-height: 115%; font-family: \"Calibri\",sans-serif;'>Guåhan</span><span style='font-size: 12.0pt; line-height: 115%; font-family: \"Calibri\",sans-serif;'> (Guam) and the Commonwealth of the Northern Mariana Islands, was the culmination of the reconditioning, relocation, and re-display of the ancestral latte, which took months of work. This paper, presented at the 2024 Pacific Arts Association-Europe conference in Berlin, focuses on the emotional connections that the latte ceremony elicited among three groups present: between Chamorros who attended, between Chamorros and the latte, and between Chamorros and their ancestors. Using interviews and photographs taken during the ceremony, the author </span><span style='font-size: 12.0pt; line-height: 115%; font-family: \"Calibri\",sans-serif;'>emphasizes the importance of emotional responses in the processes of healing and of cultural revitalization in museum settings. More specifically, she</span><span style='font-size: 12.0pt; line-height: 115%; font-family: \"Calibri\",sans-serif;'> argues that the latte were imbued with life again through chant, touch, and offerings, as the ceremony’s Chamorro attendants connected with one another and reconnected with their saina (ancestors). </span></em><!--EndFragment--></p>","language":"eng","license":{"name":"Creative Commons Attribution-NonCommercial-NoDerivatives  4.0","short_name":"CC BY-NC-ND 4.0","text":"Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\n\nNonCommercial — You may not use the material for commercial purposes.\n\nNoDerivatives — If you remix, transform, or build upon the material, you may not distribute the modified material.\n\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.","url":"https://creativecommons.org/licenses/by-nc-nd/4.0"},"keywords":[{"word":"Chamorro"},{"word":"Mariana Islands"},{"word":"Festival of Pacific Arts and Culture"},{"word":"affect"},{"word":"museum collections"},{"word":"latte"},{"word":"repatriation"}],"section":"Articles","is_remote":true,"remote_url":"https://escholarship.org/uc/item/8hj0m6d1","frozenauthors":[{"first_name":"Alba","middle_name":"","last_name":"Ferrándiz Gaudens","name_suffix":"","institution":"","department":""}],"date_submitted":null,"date_accepted":null,"date_published":"2026-02-25T04:37:00Z","render_galley":null,"galleys":[{"label":"PDF","type":"pdf","path":"https://journalpub.escholarship.org/pacificarts/article/63110/galley/48915/download/"}]}