Article List
API Endpoint for journals.
GET /api/articles/?format=api&offset=8500
{ "count": 39503, "next": "https://eartharxiv.org/api/articles/?format=api&limit=100&offset=8600", "previous": "https://eartharxiv.org/api/articles/?format=api&limit=100&offset=8400", "results": [ { "pk": 35829, "title": "Is dance disrespected in media portrayals?", "subtitle": null, "abstract": "From ballerinas in movies and on TikTok, to models in pointe shoes, distortion can be harmful", "language": "en", "license": { "name": "", "short_name": "", "text": null, "url": "" }, "keywords": [], "section": "Dance Major Journal 11", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/34b0k19q", "frozenauthors": [ { "first_name": "Naomi", "middle_name": "Giavanna", "last_name": "Cohen", "name_suffix": "", "institution": "", "department": "None" } ], "date_submitted": "2023-10-13T18:46:58-03:00", "date_accepted": "2023-10-13T18:46:58-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/dmj/article/35829/galley/26694/download/" } ] }, { "pk": 35826, "title": "Is it okay to tell a dancer their arms look like a dead chicken?", "subtitle": null, "abstract": "Insults not only show a teacher's inability to provide constructive advice, they can actually damage a student's love for dance", "language": "en", "license": { "name": "", "short_name": "", "text": null, "url": "" }, "keywords": [], "section": "Dance Major Journal 11", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/80p7085t", "frozenauthors": [ { "first_name": "Lauren", "middle_name": "", "last_name": "Duran", "name_suffix": "", "institution": "", "department": "None" } ], "date_submitted": "2023-10-13T18:37:28-03:00", "date_accepted": "2023-10-13T18:37:28-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/dmj/article/35826/galley/26691/download/" } ] }, { "pk": 40370, "title": "Is There a Source Text in This Class? Teaching Medieval Literature through Contemporary Retellings", "subtitle": null, "abstract": "In this article, we outline the lesson plan and pedagogical approach underlying a seminar we taught in the summer term of 2023 at the University of Freiburg titled “Retelling, Rereading, Rethinking—The Afterlife of Medieval Texts in Contemporary Literature.” Using Stanley Fish’s essay “Is There a Text in This Class?” as its springboard, this essay discusses how the absence of the source material affects students’ engagement with medieval literature. We decided to make the absent source the catalyst for discussing how the meaning of the source text is filtered through and inextricably linked with reception, i.e. translations, retellings, and the readers/students themselves. Taking into special consideration the particular knowledge our students brought with them into the class and how this influenced their reading of medieval literature, we argue that the instability and absence of the source can make for a better learning outcome and a more profound understanding of medieval literature, (medieval) literary practices, and the role of reception.", "language": "en", "license": { "name": "Creative Commons Attribution-NonCommercial-NoDerivatives 4.0", "short_name": "CC BY-NC-ND 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\n\nNonCommercial — You may not use the material for commercial purposes.\n\nNoDerivatives — If you remix, transform, or build upon the material, you may not distribute the modified material.\n\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by-nc-nd/4.0" }, "keywords": [], "section": "Cluster: Retellings of Medieval Literature in the Classroom", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/47p8s8fp", "frozenauthors": [ { "first_name": "Sophia", "middle_name": "Philomena", "last_name": "Wolf", "name_suffix": "", "institution": "", "department": "None" }, { "first_name": "Eva", "middle_name": "", "last_name": "von Contzen", "name_suffix": "", "institution": "", "department": "None" } ], "date_submitted": "2023-10-17T08:55:19-03:00", "date_accepted": "2023-10-17T08:55:19-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/ncs_pedagogyandprofession/article/40370/galley/30350/download/" } ] }, { "pk": 57103, "title": "Jaime Flores Guardado. Un rock acá para todos los roles, Volumen I. Zacatecas: Ediciones Ágora, 2022.", "subtitle": null, "abstract": "", "language": "en", "license": { "name": "Creative Commons Attribution 4.0", "short_name": "CC BY 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\n\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by/4.0" }, "keywords": [], "section": "REVIEWS", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/71q5r412", "frozenauthors": [ { "first_name": "Luis", "middle_name": "", "last_name": "Díaz-Santana Garza", "name_suffix": "", "institution": "Universidad Autónoma de Zacatecas", "department": "" } ], "date_submitted": "2023-04-02T13:18:57-03:00", "date_accepted": "2023-04-02T13:18:57-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/diagonal/article/57103/galley/43302/download/" } ] }, { "pk": 56808, "title": "James H. Meriwether’s Tears, Fire, and Blood: The United States and the Decolonization of Africa", "subtitle": null, "abstract": "n/a", "language": "en", "license": null, "keywords": [], "section": "Part IV—Book Reviews", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/6qc56934", "frozenauthors": [ { "first_name": "Adeniyi", "middle_name": "S.", "last_name": "Basiru", "name_suffix": "", "institution": "", "department": "" } ], "date_submitted": "2023-12-29T06:25:44-03:00", "date_accepted": "2023-12-29T06:25:44-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/ufahamu/article/56808/galley/43109/download/" } ] }, { "pk": 55160, "title": "Japanese American Women's Self-Definition Facing Identity Crisis Through Intersectional Lenses", "subtitle": null, "abstract": "This essay examines the self-definition of Japanese American women through anintersectional lens, recognizing the intricate interplay of multiple identities shaped by factorssuch as race, gender, ethnicity, religion, and more. While the portrayal of minority women bymainstream media as a homogenous group has resulted in damaging stereotypes that underminethe complexity and diversity of their experiences, the intersectional theory—whichacknowledges the complex interplay of social forces, identities, and ideologies that legitimizepower and disadvantage in society—offers a more nuanced understanding of the experiences ofJapanese American women. Incorporating historical context and Western feminist theories, thispaper argues that the adoption of an intersectional approach is necessary to better understand thediverse experiences of Japanese American women and their self-definition, also stressing thatpromoting diversity and intersectionality can advance research and support individuals, creatinga society that celebrates and embraces all of its members.", "language": "en", "license": { "name": "Creative Commons Attribution-NonCommercial-NoDerivatives 4.0", "short_name": "CC BY-NC-ND 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\n\nNonCommercial — You may not use the material for commercial purposes.\n\nNoDerivatives — If you remix, transform, or build upon the material, you may not distribute the modified material.\n\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by-nc-nd/4.0" }, "keywords": [], "section": "Articles", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/52h305j0", "frozenauthors": [ { "first_name": "Jishan", "middle_name": "", "last_name": "Jiang", "name_suffix": "", "institution": "", "department": "" } ], "date_submitted": "2023-04-15T07:52:12-03:00", "date_accepted": "2023-04-15T07:52:12-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/aarj/article/55160/galley/41532/download/" } ] }, { "pk": 57960, "title": "Johnny Penisula (1941–2023), A Few Memories", "subtitle": null, "abstract": "Karen Stevenson’s memories of the Aotearoa New Zealand-based Sāmoan artist Johnny Penisula (1941–2023).", "language": "en", "license": { "name": "Creative Commons Attribution-NonCommercial-NoDerivatives 4.0", "short_name": "CC BY-NC-ND 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\n\nNonCommercial — You may not use the material for commercial purposes.\n\nNoDerivatives — If you remix, transform, or build upon the material, you may not distribute the modified material.\n\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by-nc-nd/4.0" }, "keywords": [ { "word": "Johnny Penisula, Sāmoan art, sculpture, Aotearoa New Zealand, contemporary art" } ], "section": "In Memory", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/5kv2z5f9", "frozenauthors": [ { "first_name": "Karen", "middle_name": "", "last_name": "Stevenson", "name_suffix": "", "institution": "", "department": "" } ], "date_submitted": "2023-11-05T21:08:16-03:00", "date_accepted": "2023-11-05T21:08:16-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/pacificarts/article/57960/galley/44136/download/" } ] }, { "pk": 56812, "title": "Joy Owen, Congolese Social Networks: Living On The Margins In Muizenberg, Cape Town", "subtitle": null, "abstract": "n/a", "language": "en", "license": null, "keywords": [], "section": "Part IV—Book Reviews", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/5004q4k5", "frozenauthors": [ { "first_name": "Felipe", "middle_name": "Antonio", "last_name": "Honorato", "name_suffix": "", "institution": "", "department": "" } ], "date_submitted": "2023-12-29T06:31:53-03:00", "date_accepted": "2023-12-29T06:31:53-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/ufahamu/article/56812/galley/43113/download/" } ] }, { "pk": 34801, "title": "Justice Reynoso's Legacy in Context", "subtitle": null, "abstract": "This speech was delivered as welcoming remarks at the 2022 CLLR Symposiummarking Justice Cruz Reynoso’s career.", "language": "en", "license": { "name": "", "short_name": "", "text": null, "url": "" }, "keywords": [], "section": "Articles", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/3rt1s7f2", "frozenauthors": [ { "first_name": "Laura", "middle_name": "E.", "last_name": "Gómez", "name_suffix": "", "institution": "", "department": "None" } ], "date_submitted": "2023-10-12T18:27:22-03:00", "date_accepted": "2023-10-12T18:27:22-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/uclalaw_cllr/article/34801/galley/25943/download/" } ] }, { "pk": 20750, "title": "Knowing Libya: Ethnography", "subtitle": null, "abstract": "", "language": "en", "license": { "name": "Creative Commons Attribution-NonCommercial 4.0", "short_name": "CC BY-NC 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\n\nNonCommercial — You may not use the material for commercial purposes.\n\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by-nc/4.0" }, "keywords": [ { "word": "Libya" }, { "word": "ethnography" }, { "word": "Representation" } ], "section": "Articles", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/7mw2n8rp", "frozenauthors": [ { "first_name": "Leila", "middle_name": "", "last_name": "Tayeb", "name_suffix": "", "institution": "Northwestern University in Qatar", "department": "None" } ], "date_submitted": "2023-06-22T14:06:29-03:00", "date_accepted": "2023-06-22T14:06:29-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/lamma/article/20750/galley/10516/download/" } ] }, { "pk": 20251, "title": "Koans and Deconstructing Logos: A Zen reading of La nueva novela by Juan Luis Martínez", "subtitle": null, "abstract": "This article proposes a reading of Juan Luis Martínez’s \nLa nueva novela\n to reveal the way in which the Chilean poet mobilizes texts from Western authors to undermine Western epistemology from within. Martínez uses Eastern philosophical concepts to deconstruct the logocentric tradition, creating poetic texts that operate similar to Zen koans. Martínez’s project reveals the similarities in literary deconstruction and Zen by decentering language and questioning the processes of producing meaning.", "language": "en", "license": { "name": "Creative Commons Attribution 4.0", "short_name": "CC BY 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\r\n\r\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by/4.0" }, "keywords": [ { "word": "Juan Luis Martínez, Chilean Poetry, Zen Buddhism, Logos, Tao, Neo-avant-garde" } ], "section": "Article", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/1d846914", "frozenauthors": [ { "first_name": "Alec", "middle_name": "", "last_name": "Schumacher", "name_suffix": "", "institution": "", "department": "None" } ], "date_submitted": "2023-12-31T12:48:38-03:00", "date_accepted": "2023-12-31T12:48:38-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/transmodernity/article/20251/galley/10043/download/" } ] }, { "pk": 21097, "title": "Lab to Table: Meat Culture in Los Angeles", "subtitle": null, "abstract": "NA", "language": "en", "license": { "name": "Creative Commons Attribution-NonCommercial 4.0", "short_name": "CC BY-NC 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\n\nNonCommercial — You may not use the material for commercial purposes.\n\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by-nc/4.0" }, "keywords": [], "section": "Article", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/24p5m6ms", "frozenauthors": [ { "first_name": "Akana", "middle_name": "", "last_name": "Jayewardene", "name_suffix": "", "institution": "", "department": "None" }, { "first_name": "Sunay", "middle_name": "", "last_name": "Rajbhandari", "name_suffix": "", "institution": "", "department": "None" } ], "date_submitted": "2023-01-13T13:36:44-03:00", "date_accepted": "2023-01-13T13:36:44-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/criticalplanning/article/21097/galley/10759/download/" } ] }, { "pk": 57100, "title": "La instrucción violinística en la España Ilustrada: aportación ibérica al legado pedagógico del instrumento", "subtitle": null, "abstract": "El papel del violín en la historiografía musical española y en la teoría e historia de la educación, han tenido hasta la fecha una escasa presencia a diferencia de las referencias bibliográficas que encontramos sobre el instrumento en otras historias nacionales que le han procurado una trascendencia, al menos, lo suficientemente amplia como para pertenecer a la historia universal de la música. La constatación bibliográfica de tales carencias nos lleva al planteamiento de la presente investigación sustanciando una hipótesis que pone en cuestión tal situación y delimita el objeto de estudio a “La dimensión violinística en la España dieciochesca”.\nEste objeto de estudio se concreta en la finalidad de “clarificar y exponer la historia del violín en España durante el siglo XVIII”. Adaptándose parcialmente en este artículo al objetivo específico de “estudiar las diferentes vías de transmisión del conocimiento violinístico en España y su aportación pedagógica a la historia universal del violín”. Una investigación que se mueve de forma transversal entre las humanidades y su área de conocimiento musicológico y las ciencias sociales en el área de teoría e historia de la educación. Todo ello visto desde el prisma violinístico, que tanta literatura ha generado para la historia universal pero que no ha sido profusa en nuestras historias nacionales de origen ibérico y latinoamericano, siendo una investigación de un área absolutamente deficitaria y que tanta falta nos hace rescatar, máxime escrita en español.\nA modo conclusivo, cabe decir que si efectivamente la enseñanza musical a lo largo del siglo XVIII se imparte principalmente en las capillas musicales, existió también un ámbito de enseñanza más civil o privado, así como en las casas nobiliarias que de forma incipiente y hacia finales de siglo se apertura con las academias ilustradas. Igualmente, debemos señalar que si el material pedagógico legado es escaso si lo comparamos con los países a la vanguardia y empleo del instrumento, no deja por ello de ser relevante no solo para el violín sino para la historia de la música instrumental española.", "language": "es", "license": { "name": "Creative Commons Attribution 4.0", "short_name": "CC BY 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\n\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by/4.0" }, "keywords": [ { "word": "violin" }, { "word": "siglo XVIII" }, { "word": "música española" }, { "word": "educación musical" }, { "word": "instituciones educativas musicales" }, { "word": "métodos" } ], "section": "ARTICLES", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/4kj0z2pt", "frozenauthors": [ { "first_name": "José", "middle_name": "Manuel", "last_name": "Gil de Gálvez", "name_suffix": "", "institution": "Universidad de Cádiz", "department": "" } ], "date_submitted": "2023-04-02T13:11:40-03:00", "date_accepted": "2023-04-02T13:11:40-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/diagonal/article/57100/galley/43299/download/" } ] }, { "pk": 34799, "title": "Latinx: Reserving the Right to the Power of Naming", "subtitle": null, "abstract": "The label Latinx was originally conceived of by activists and academics to be inclusive of non-binary and LGBTQIA people, but when it came into wider use in the mid-2010s, it generated pushback from both conservatives and moderates. Recently there have been attempts to ban the term by a governor and a state legislature, with even Democratic Arizona Representative Rubén Gallego expressing his disgust for the term. This article examines the political debate, the history of the use of the term, and the underlying arguments that have arisen during this era of racial reckoning.", "language": "en", "license": { "name": "", "short_name": "", "text": null, "url": "" }, "keywords": [], "section": "Articles", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/323079fv", "frozenauthors": [ { "first_name": "Ed", "middle_name": "", "last_name": "Morales", "name_suffix": "", "institution": "", "department": "None" } ], "date_submitted": "2023-09-27T15:45:53-03:00", "date_accepted": "2023-09-27T15:45:53-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/uclalaw_cllr/article/34799/galley/25941/download/" } ] }, { "pk": 57105, "title": "La voz como misión", "subtitle": null, "abstract": "La orden franciscana en Nueva España publicó libros para las prácticas misioneras en los siglos XVII y XVIII que incluían mensajes moralizantes dirigidos tanto a los indígenas de habla hispana como a los católicos españoles. Incluían letras de varias canciones penitenciales, así como versos llamados saetas. Las canciones abreviaban los mensajes predicados por los frailes que iban de pueblo en pueblo cantando estas canciones y predicando sermones que llamaban a la gente a confesar sus pecados. Este artículo ofrece una primera transcripción y análisis de estas canciones, hasta ahora no estudiadas, sosteniendo que son esencial para el proceso misionero y sacramental a través de su vocalización y vocalidad.", "language": "en", "license": { "name": "Creative Commons Attribution 4.0", "short_name": "CC BY 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\n\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by/4.0" }, "keywords": [ { "word": "Franciscanos" }, { "word": "misiones" }, { "word": "Nueva España" }, { "word": "penitencia" }, { "word": "saeta" }, { "word": "voz" }, { "word": "Franciscans" }, { "word": "missions" }, { "word": "New Spain" }, { "word": "penitence" }, { "word": "voice" } ], "section": "ARTICLES", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/4ww4x490", "frozenauthors": [ { "first_name": "Cesar", "middle_name": "D.", "last_name": "Favila", "name_suffix": "", "institution": "University of California, Los Angeles", "department": "" } ], "date_submitted": "2023-06-26T12:49:53-03:00", "date_accepted": "2023-06-26T12:49:53-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/diagonal/article/57105/galley/43304/download/" } ] }, { "pk": 61312, "title": "Legal Functions of the Prison System and State Legitimacy in Communist China", "subtitle": null, "abstract": "This Article traces changes in the prison system in communist China and examines the relationship between the legal functions of prisons and the legitimation strategies of the state in different economic contexts. This Article finds that economic schemes and legitimation strategies are the two pivotal factors driving the prison system and shaping penal practices. In the early planned economy period, the Chinese government built its legitimacy on the revolutionary ideology to create a communist country, so the legal functions of the Chinese prison system focused on remodeling of prisoners through collective forced labor. Later, in the time of economic reform, legitimacy of the regime stemmed from its economic performance, so the legal function of the Chinese prison system shifted towards profit maximization, focusing all of its efforts on production. As the economic reform developed further, the Chinese government based its legitimacy on legal rules to accomplish its various goals, leading to the codification of the prison system to achieve the goals of scientization and socialization.", "language": "en", "license": { "name": "", "short_name": "", "text": null, "url": "" }, "keywords": [], "section": "Articles", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/11h712s7", "frozenauthors": [ { "first_name": "Mao-hong", "middle_name": "", "last_name": "Lin", "name_suffix": "", "institution": "", "department": "" } ], "date_submitted": "2023-12-20T22:49:15-03:00", "date_accepted": "2023-12-20T22:49:15-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/uclalaw_pblj/article/61312/galley/47346/download/" } ] }, { "pk": 54839, "title": "Legally Codifying A Social Construction: How American Courts Have Weaponized Whiteness to Exclude Black and Chinese People", "subtitle": null, "abstract": "Race, including whiteness, is hard to define because different groups have used it differently, for their own purposes. Ian F. Haney López defines race as “a sui generis social phenomenon in which contested systems of meaning serve as the connections between physical features, faces, and personal characteristics . . . social meanings connect our faces to our souls.” Although López focuses his analysis on the othering of Mexicans, he is clear that “a Mexican might also be White, Indian, Black, or Asian.” He describeshow increasing social prejudice against Mexican people “quickly became legal [prejudices],” with laws being passed that both purported to define what a “Mexican” was, and labeled them as “not peaceable and quiet persons.” Ultimately, the “attempt to racially define the conquered, subjugated, or enslaved is at the same time an attempt to racially define the conqueror, the subjugator, or the enslaver.” By creating sub-classes of races, it follows that there would be a superior race. As Cheryl Harris writes, “being white automatically ensures higher economic returns in the short term, as well as greater economic, political, and social security in the long run. Becoming white meant gaining access to a whole set of public and private privileges that materially and permanently guaranteed basic subsistence needs and, therefore, survival.” Even as society evolves, whiteness continues to be the yardstick by which everything else is compared.\nHere, I will focus on how the courts have legally developed and legitimated the concept of whiteness to achieve no other purpose besides exclusion. Part I will discuss case law in the mid to late 1800’s regarding Chinese people and Chinese Americans. Then, I will discuss case law in the same timeframe regarding Black Americans. The case law will be presented chronologically to showcase the development of the interpretation of law over time. Part II will then explore how the courts have weaponized the concept of whiteness by comparing how law is manipulated and interpreted to be exclusionary. I will examine how the repercussions of this legal history have manifested in various areas of law, such as immigration law. In Part III, I will discuss how this knowledge can be used moving forward.", "language": "en", "license": null, "keywords": [], "section": "Articles", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/5s67m8n2", "frozenauthors": [ { "first_name": "Nancy", "middle_name": "", "last_name": "Jin", "name_suffix": "", "institution": "", "department": "" } ], "date_submitted": "2024-01-31T17:02:53-03:00", "date_accepted": "2024-01-31T17:02:53-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/uclalaw_apalj/article/54839/galley/41375/download/" } ] }, { "pk": 45318, "title": "Lessons from the Southern German Borderlands", "subtitle": null, "abstract": "This essay engages the borderlands region joining contemporary Austria, Germany, and Switzerland as a ‘central periphery’ in the heart of Europe. As a region in which multiple and varied notions of belonging have long stretched across the borders that animate our modern political maps, the most important borders shaping the inhabitants’ sense of belonging were often in their heads. By drawing on five eclectic museums in the region, where these notions of belonging are being articulated and produced, this essay underscores some of the region’s key characteristics that historians of nation-states have frequently overlooked, but ethnologists generally have not. It argues that directly engaging those characteristics offers us productive ways of globalizing European and German histories that scholars regularly ignore when considering the implications of provincializing or decolonizing them. It also argues that this process has the potential to upend the historiography centered on European nation-states and their empires.", "language": "en", "license": { "name": "Creative Commons Attribution-NonCommercial-NoDerivatives 4.0", "short_name": "CC BY-NC-ND 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\n\nNonCommercial — You may not use the material for commercial purposes.\n\nNoDerivatives — If you remix, transform, or build upon the material, you may not distribute the modified material.\n\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by-nc-nd/4.0" }, "keywords": [ { "word": "Germany" }, { "word": "borderlands" }, { "word": "Southern Germany" }, { "word": "ethnography" }, { "word": "austria" }, { "word": "Switzerland" } ], "section": "Articles", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/4049m9dm", "frozenauthors": [ { "first_name": "H. Glenn", "middle_name": "", "last_name": "Penny", "name_suffix": "", "institution": "UCLA", "department": "None" } ], "date_submitted": "2023-10-01T22:34:18-03:00", "date_accepted": "2023-10-01T22:34:18-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/transit/article/45318/galley/34107/download/" } ] }, { "pk": 54618, "title": "Letter from the Editor", "subtitle": null, "abstract": "Letter from the Editor", "language": "en", "license": { "name": "", "short_name": "", "text": null, "url": "" }, "keywords": [], "section": "Letter from the Editor", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/0ch5z6cz", "frozenauthors": [ { "first_name": "Biona", "middle_name": "", "last_name": "Hui", "name_suffix": "", "institution": "University of California, Los Angeles", "department": "" } ], "date_submitted": "2023-07-31T20:31:40-03:00", "date_accepted": "2023-07-31T20:31:40-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/alephucla/article/54618/galley/41163/download/" } ] }, { "pk": 65542, "title": "Letter from the Editors", "subtitle": null, "abstract": "", "language": "en", "license": null, "keywords": [], "section": "Staff", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/9w40n5ps", "frozenauthors": [ { "first_name": "Evelyn", "middle_name": "", "last_name": "Roque", "name_suffix": "", "institution": "", "department": "" } ], "date_submitted": "2023-11-30T01:05:11-03:00", "date_accepted": "2023-11-30T01:05:11-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/ucm_mwp_ucmurj/article/65542/galley/50171/download/" } ] }, { "pk": 20248, "title": "¿Liberación o emancipación? Destitución subjetiva, suicidio simbólico/político e izquierda lacaniana. Desde Slavoj Žižek a Simón Bolívar", "subtitle": null, "abstract": "Este ensayo se dispara a partir de una charla ofrecida por Slavoj Žižek en la Universidad de California, Merced y se atiene a ella. La constelación de temas tramada por el filósofo esloveno se presenta como una provocación a pensar la cuestión del rol político del psicoanálisis en esta etapa de neoliberalismo global. Se explora la distinción entre liberación y emancipación, con sus andamiajes conceptuales diferenciados. Se indagan tres etapas de frecuentación de ambos vocablos: los siglos XVIII-XIX al momento de la organización política de los países latinoamericanos, los \nsixties\n en el XX y el momento presente del XXI. La distinción resulta indispensable para elaborar tácticas y estrategias políticas que permitan, por un lado, obstruir el avance del neoliberalismo, con la promoción de goces compulsivos y su avasallamiento del sujeto del deseo y, por otro, inventar salidas emancipatorias radicales a partir de la batería conceptual del psicoanálisis y desde la izquierda lacaniana. Se debate la cuestión de cómo universalizar políticamente la praxis psicoanalítica, pasando de la soledad al Común y, en particular, la diferenciación entre destitución subjetiva y suicidio simbólico/político.", "language": "en", "license": { "name": "Creative Commons Attribution 4.0", "short_name": "CC BY 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\r\n\r\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by/4.0" }, "keywords": [ { "word": "Liberación, emancipación, destitución subjetiva, psicoanálisis, izquierda lacaniana" } ], "section": "Article", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/7jh516sj", "frozenauthors": [ { "first_name": "Gustavo", "middle_name": "", "last_name": "Geirola", "name_suffix": "", "institution": "", "department": "None" } ], "date_submitted": "2023-12-31T12:41:11-03:00", "date_accepted": "2023-12-31T12:41:11-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/transmodernity/article/20248/galley/10040/download/" } ] }, { "pk": 20751, "title": "Libyan Studies: A Call to Sociology", "subtitle": null, "abstract": "", "language": "en", "license": { "name": "Creative Commons Attribution-NonCommercial 4.0", "short_name": "CC BY-NC 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\n\nNonCommercial — You may not use the material for commercial purposes.\n\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by-nc/4.0" }, "keywords": [ { "word": "Libya" }, { "word": "sociology" }, { "word": "Area Studies" } ], "section": "Articles", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/43f105d8", "frozenauthors": [ { "first_name": "Amina", "middle_name": "", "last_name": "Zarrugh", "name_suffix": "", "institution": "Texas Christian University", "department": "None" } ], "date_submitted": "2023-06-22T14:07:54-03:00", "date_accepted": "2023-06-22T14:07:54-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/lamma/article/20751/galley/10517/download/" } ] }, { "pk": 45325, "title": "liedvoll, deutschyzno moja", "subtitle": null, "abstract": "Poem by Dagmara Kraus with annotations by Paula Wojcik and Karolina May-Chu", "language": "en", "license": { "name": "Creative Commons Attribution-NonCommercial-NoDerivatives 4.0", "short_name": "CC BY-NC-ND 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\n\nNonCommercial — You may not use the material for commercial purposes.\n\nNoDerivatives — If you remix, transform, or build upon the material, you may not distribute the modified material.\n\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by-nc-nd/4.0" }, "keywords": [ { "word": "Gedicht" }, { "word": "Poetry" }, { "word": "Kraus" } ], "section": "Articles", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/0085v1mr", "frozenauthors": [ { "first_name": "Dagmara", "middle_name": "", "last_name": "Kraus", "name_suffix": "", "institution": "", "department": "None" }, { "first_name": "Karolina", "middle_name": "", "last_name": "May-Chu", "name_suffix": "", "institution": "", "department": "None" }, { "first_name": "Paula", "middle_name": "", "last_name": "Wojcik", "name_suffix": "", "institution": "", "department": "None" } ], "date_submitted": "2023-10-02T01:08:10-03:00", "date_accepted": "2023-10-02T01:08:10-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/transit/article/45325/galley/34114/download/" }, { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/transit/article/45325/galley/34115/download/" } ] }, { "pk": 34074, "title": "Limitations of Current Menstrual Equity Advocacy and a Path Towards Justice", "subtitle": null, "abstract": "Since 2015, legal strategies to end period poverty and achieve menstrual equity have increased dramatically across the United States. Current advocacy for menstrual equity is concentrated in three main areas: litigation based on sex discrimination claims, legislation to end additional taxes on menstrual products, and legislation to increase access to menstrual products in schools. This Article outlines and analyzes the history of menstrual equity activism in litigation and legislative initiatives to understand the progress that advocates have achieved. This Article then argues that the framework of sex discrimination limits current menstrual equity legal strategies and, therefore, lawyers and activists should adopt are productive justice lens to meet the needs of the most marginalized menstruators. Lastly, this Article argues that to advocate for true menstrual justice, advocates should shift their attention and resources to administrative and policy changes that would work to eliminate period poverty for the people most in need, such as low-income, unhoused, and incarcerated menstruators.", "language": "en", "license": { "name": "", "short_name": "", "text": null, "url": "" }, "keywords": [], "section": "Article", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/22w5s00b", "frozenauthors": [ { "first_name": "Allyson", "middle_name": "", "last_name": "Crays", "name_suffix": "", "institution": "", "department": "None" } ], "date_submitted": "2023-07-14T16:58:10-03:00", "date_accepted": "2023-07-14T16:58:10-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/uclalaw_jgl/article/34074/galley/25116/download/" } ] }, { "pk": 54615, "title": "Lithium Extraction and Hydropower Development in Bolivia: Climate Mitigation versus Indigenous Environmental Justice", "subtitle": null, "abstract": "Located at the heart of the Amazonian-Andean geobiological interface, Bolivia is uniquely situated with an ecologically diverse landscape, a politically active Indigenous population, and natural resources that attract foreign interest. As climate change mitigation gains international traction, Bolivia’s potential to provide lithium globally and hydropower regionally has prompted exploitation of the land by the Bolivian government. In a nation where the Indigenous majority has defined the rights of Mother Earth in its Constitution, the destructive nature of these projects calls attention to the novel issue of justifying environmental degradation with a promise to save the world from climate change. By examining primary and secondary sources, this paper explores the friction between development for sustainability and Indigenous environmental justice in Bolivia. In my investigation, I question whether investing in renewables that cause environmental degradation is inherently contradictory in the context of Bolivian Indigenous tradition. I consistently find that the methods of development and consultation for these projects are flawed. I suggest that a framework of temporal environmental justice is needed to fully understand this friction between environmental and climate justice.", "language": "en", "license": { "name": "", "short_name": "", "text": null, "url": "" }, "keywords": [ { "word": "Bolivia, Vivir Bien, Indigenous Environmental Justice, Lithium, Hydropower" } ], "section": "Articles", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/20h4q856", "frozenauthors": [ { "first_name": "Evan", "middle_name": "", "last_name": "Melendez", "name_suffix": "", "institution": "University of California, Los Angeles", "department": "" } ], "date_submitted": "2023-07-31T20:22:03-03:00", "date_accepted": "2023-07-31T20:22:03-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/alephucla/article/54615/galley/41160/download/" } ] }, { "pk": 59780, "title": "Locating Novel Protections for the Traditional Knowledge of Indigenous Communities in Customary International Law", "subtitle": null, "abstract": "The international community is currently in the process of establishing multiple frameworks for protecting the traditional knowledge (TK) of indigenous peoples including through initiatives such as the Nagoya Protocol (under the Convention on Biological Diversity (CBD)), and the Intergovernmental Committee on Intellectual Property and Genetic Resources, Traditional Knowledge, and Folklore (IGCIPGRTKF) under the World Intellectual Property Rights Organizations (WIPO). However, this Article conceptualizes alternate pathways to recognize and protect the right to TK within customary international law (CIL). As a starting point of analysis, the Article uses Third World Approaches to International Law (TWAIL) to investigate the reasons for the inadequate protection of indigenous peoples’ traditional knowledge. Specifically, it explores how postcolonial states, often at the behest of the First World, have perpetuated colonial epistemologies that have contributed to the creation of deficient standards of protection for indigenous and tribal communities. As a rule, CIL is ascertained through the inclusion of traditional knowledge within its scope. To explore the legal basis of these norm developments in international law, this Article will delve into their pronouncements in international treaties such as the International Covenant on Civil and Political Rights (ICCPR) the International Covenant on Economic, Social and Cultural Rights (ICESCR), the Indigenous and Tribal Peoples Convention (ILO-169), as well as relevant holdings by international courts that help clarify the customary character of the norms in question. inductive reasoning. That is, to establish the existence of a novel customary rule, it is necessary to show that there is widespread, representative, and uniform state practice, coupled with the belief that the rule constitutes a legal obligation. However, this Article explores whether a deductively implied propositional rule derived from the relationship between two interrelated customary norms ought to be deemed a novel precept of CIL in the context of human rights protections for indigenous peoples. In doing so, this Article will investigate the two related norms: the right to culture for indigenous communities, and the inclusion of traditional knowledge within its scope. To explore the legal basis of these norm developments in international law, this Article will delve into their pronouncements in international treaties such as the International Covenant on Civil and Political Rights (ICCPR) the International Covenant on Economic, Social and Cultural Rights (ICESCR), the Indigenous and Tribal Peoples Convention (ILO-169), as well as relevant holdings by international courts that help clarify the customary character of the norms in question.", "language": "en", "license": { "name": "", "short_name": "", "text": null, "url": "" }, "keywords": [], "section": "Articles", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/63d701j3", "frozenauthors": [ { "first_name": "Bharath", "middle_name": "", "last_name": "Gururagavendran", "name_suffix": "", "institution": "", "department": "" } ], "date_submitted": "2023-11-14T18:23:34-03:00", "date_accepted": "2023-11-14T18:23:34-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/jilfa/article/59780/galley/45741/download/" } ] }, { "pk": 20203, "title": "Looking Elsewhere: Editorial Amartí’s (Re)presentation of Post/Conflict Ayacucho", "subtitle": null, "abstract": "Since the onset of Peru’s Internal Armed Conflict (~1980-2000), Peruvian writers have worked to narrate often unspeakable violences, contributing to a still-developing “Conflict Canon.” Yet while the Conflict overwhelmingly impacted Indigenous individuals from the nation’s rural Andean highlands and jungle lowlands, Peru’s most critically acclaimed and bestselling narrations of Conflict predominantly belong to white men of means from Lima. These depictions of the civil war written for/from the capital frequently reproduce tired geo-racial imaginaries, taking their cue from Mario Vargas Llosa’s polemic analysis of the 1983 murder of eight Peruvian journalists at the highland community of Uchuraccay (Ayacucho). Ayacucho, the Peruvian department most intensely victimized by Conflict violences, frequently appears in these narrations as a racialized wasteland. While scholars have produced significant analyses of the non-literary cultural production of Ayacuchan victims of the Conflict, the present essay considers the short fiction of Ayacuchans Erika Cuadros and Livio Huaripaucar, whose stories appear together in \nSiete cuentos sin fin, \npublished by Editorial Amartí (Ayacucho). Considering the narratives themselves together with Editorial Amartí’s promotional materials, Facebook posts, and media appearances, I suggest that the collection contests dominant geo-racial imaginaries, (re)presenting post-Conflict Ayacucho and its experience of civil war \nagainst\n the discourses of “bestseller” authors like Vargas Llosa. Crucially, I propose that Cuadros, Huaripaucar, and Editorial Amartí develop important “counterpublics” (Warner 2005) and, in doing so, achieve an antihegemonic symbiosis of content and form.", "language": "en", "license": { "name": "Creative Commons Attribution 4.0", "short_name": "CC BY 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\r\n\r\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by/4.0" }, "keywords": [ { "word": "Andean Studies, Peru, Ayacucho, Armed Conflict, Memory, Generación de los hijos" } ], "section": "Article", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/0qp6h336", "frozenauthors": [ { "first_name": "Tess", "middle_name": "", "last_name": "Renker", "name_suffix": "", "institution": "", "department": "None" } ], "date_submitted": "2023-06-05T23:18:31-03:00", "date_accepted": "2023-06-05T23:18:31-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/transmodernity/article/20203/galley/10032/download/" } ] }, { "pk": 57110, "title": "Luis Diaz-Santana Garza. Between Norteño and Tejano Conjunto: Music, Tradition, and Culture at the U.S.-Mexico Border. Lexington Books, 2021.", "subtitle": null, "abstract": "", "language": "en", "license": { "name": "Creative Commons Attribution 4.0", "short_name": "CC BY 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\n\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by/4.0" }, "keywords": [], "section": "REVIEWS", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/0w43x883", "frozenauthors": [ { "first_name": "Raquel", "middle_name": "", "last_name": "Hernandez Guerrero", "name_suffix": "", "institution": "University of Colorado, Boulder", "department": "" } ], "date_submitted": "2023-06-26T13:01:07-03:00", "date_accepted": "2023-06-26T13:01:07-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/diagonal/article/57110/galley/43309/download/" } ] }, { "pk": 34796, "title": "Luminarias: An Empirical Portrait of the First Generation of Latina Lawyers 1880-1980", "subtitle": null, "abstract": "Luminarias are the country’s first Latina solo practitioners, law firm associates and partners, corporate counsel, prosecutors and public defenders, legal aid and civil rights attorneys, law professors, federal, state, and local judges, and the first Presidential Appointments requiring U.S. Senate confirmation (PAS) who are Article III judges, U.S. Ambassadors, U.S. Attorneys, and high-level appointees to U.S. Agencies, commissions, and boards. These are “las primeras–the firsts” in their respective fields across all segments of the legal profession. Few Luminarias, such as our first Latina Associate Supreme Court Justice Sonia Sotomayor, federal judges, state Supreme Court Justices, U.S. Ambassadors, and U.S. Attorneys are well known within the legal profession and beyond. Most, however, are not nationally renowned. Many Luminarias have passed without their contributions being documented or recognized beyond their families and local communities, to the extent they were known. Being collectively unrecorded through the decades does not diminish their successes; to the contrary. The contributions of Luminarias irradiate through the ages because they were the first and succeeded during segregation and at the dawn of integration. Only when viewed through the lens of history does this properly contextualize the significance of their accomplishments.", "language": "en", "license": { "name": "", "short_name": "", "text": null, "url": "" }, "keywords": [], "section": "Articles", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/43f12635", "frozenauthors": [ { "first_name": "Dolores", "middle_name": "S.", "last_name": "Atencio", "name_suffix": "", "institution": "", "department": "None" } ], "date_submitted": "2023-09-01T09:42:16-03:00", "date_accepted": "2023-09-01T09:42:16-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/uclalaw_cllr/article/34796/galley/25937/download/" }, { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/uclalaw_cllr/article/34796/galley/25938/download/" } ] }, { "pk": 59493, "title": "Magnitude - Back Cover", "subtitle": null, "abstract": "", "language": "en", "license": { "name": "Creative Commons Attribution-NonCommercial-NoDerivatives 4.0", "short_name": "CC BY-NC-ND 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\n\nNonCommercial — You may not use the material for commercial purposes.\n\nNoDerivatives — If you remix, transform, or build upon the material, you may not distribute the modified material.\n\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by-nc-nd/4.0" }, "keywords": [], "section": "Back Cover", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/1wc6d289", "frozenauthors": [ { "first_name": "Aarthi", "middle_name": "", "last_name": "Muthukumar", "name_suffix": "", "institution": "", "department": "" }, { "first_name": "Varun", "middle_name": "", "last_name": "Upadhyay", "name_suffix": "", "institution": "", "department": "" } ], "date_submitted": "2024-05-14T22:11:46-03:00", "date_accepted": "2024-05-14T22:11:46-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/our_bsj/article/59493/galley/45482/download/" } ] }, { "pk": 59494, "title": "Magnitude - Cover", "subtitle": null, "abstract": "", "language": "en", "license": { "name": "Creative Commons Attribution-NonCommercial-NoDerivatives 4.0", "short_name": "CC BY-NC-ND 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\n\nNonCommercial — You may not use the material for commercial purposes.\n\nNoDerivatives — If you remix, transform, or build upon the material, you may not distribute the modified material.\n\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by-nc-nd/4.0" }, "keywords": [], "section": "Cover", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/7wp583nk", "frozenauthors": [ { "first_name": "Aarthi", "middle_name": "", "last_name": "Muthukumar", "name_suffix": "", "institution": "", "department": "" }, { "first_name": "Angeni", "middle_name": "", "last_name": "Lieben", "name_suffix": "", "institution": "", "department": "" }, { "first_name": "Aubrey", "middle_name": "", "last_name": "Fife", "name_suffix": "", "institution": "", "department": "" } ], "date_submitted": "2024-05-14T22:24:09-03:00", "date_accepted": "2024-05-14T22:24:09-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/our_bsj/article/59494/galley/45483/download/" } ] }, { "pk": 59470, "title": "Magnitude Editorial Note", "subtitle": null, "abstract": "Magnitude Editorial Note", "language": "en", "license": { "name": "Creative Commons Attribution-NonCommercial-NoDerivatives 4.0", "short_name": "CC BY-NC-ND 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\n\nNonCommercial — You may not use the material for commercial purposes.\n\nNoDerivatives — If you remix, transform, or build upon the material, you may not distribute the modified material.\n\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by-nc-nd/4.0" }, "keywords": [], "section": "Editor's Note", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/8nh921mv", "frozenauthors": [ { "first_name": "Aarthi", "middle_name": "", "last_name": "Muthukumar", "name_suffix": "", "institution": "", "department": "" }, { "first_name": "Varun", "middle_name": "", "last_name": "Upadhyay", "name_suffix": "", "institution": "", "department": "" } ], "date_submitted": "2024-05-14T21:39:27-03:00", "date_accepted": "2024-05-14T21:39:27-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/our_bsj/article/59470/galley/45460/download/" } ] }, { "pk": 59471, "title": "Magnitude Table of Contents", "subtitle": null, "abstract": "", "language": "en", "license": { "name": "Creative Commons Attribution-NonCommercial-NoDerivatives 4.0", "short_name": "CC BY-NC-ND 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\n\nNonCommercial — You may not use the material for commercial purposes.\n\nNoDerivatives — If you remix, transform, or build upon the material, you may not distribute the modified material.\n\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by-nc-nd/4.0" }, "keywords": [], "section": "Contents", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/5jc2x29h", "frozenauthors": [ { "first_name": "Aarthi", "middle_name": "", "last_name": "Muthukumar", "name_suffix": "", "institution": "", "department": "" }, { "first_name": "Varun", "middle_name": "", "last_name": "Upadhyay", "name_suffix": "", "institution": "", "department": "" } ], "date_submitted": "2024-05-14T21:41:19-03:00", "date_accepted": "2024-05-14T21:41:19-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/our_bsj/article/59471/galley/45461/download/" } ] }, { "pk": 57950, "title": "“Maisin is Tapa”: Engendering Barkcloth Among the Maisin of Papua New Guinea", "subtitle": null, "abstract": "This paper explores the interplay between gender and barkcloth, or tapa, among the Maisin people living along the shores of Collingwood Bay in Papua New Guinea. Tapa features in Maisin economic, political, social, and spiritual life as an object of wealth that is both alienable and inalienable. It constitutes beliefs and values about gender relations and identity, mediating relations between the individual and the social. At the same time, tapa connects the living with the ancestors, God, and the church. In short, tapa is intertwined with all aspects of Maisin life. While in earlier publications I have detailed the gendered manufacturing and use of tapa in various settings, in this paper I bring this work together, highlighting how barkcloth is not just a gendered object, but crucial in creating gendered embodiments and performances, and, as such, experiences of gender identity.", "language": "en", "license": { "name": "Creative Commons Attribution-NonCommercial-NoDerivatives 4.0", "short_name": "CC BY-NC-ND 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\n\nNonCommercial — You may not use the material for commercial purposes.\n\nNoDerivatives — If you remix, transform, or build upon the material, you may not distribute the modified material.\n\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by-nc-nd/4.0" }, "keywords": [ { "word": "tapa, barkcloth, Maisin, Papua New Guinea, textiles, gender" } ], "section": "Special Section: “Gendered Objects in Oceania,” Part 1", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/412205nr", "frozenauthors": [ { "first_name": "Anna-Karina", "middle_name": "", "last_name": "Hermkens", "name_suffix": "", "institution": "", "department": "" } ], "date_submitted": "2023-11-05T20:07:24-03:00", "date_accepted": "2023-11-05T20:07:24-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/pacificarts/article/57950/galley/44126/download/" } ] }, { "pk": 60840, "title": "Managed Retreat – Funding Difficult Conversations and Initial Steps at the Local Level", "subtitle": null, "abstract": "Unnatural disasters, such as floods and wildfires, are making many areas difficult to inhabit. For relocation to unfold in a safer and more equitable way, it must be done in a manner that (1) aligns with community values in each locality, (2) navigates legal barriers to managed retreat, and (3) creates blue-sky funding for adaptation, including managed retreat planning and implementation. This paper argues that developers continuing to build in climate vulnerable areas could and should help cover the risk of their actions. Part I lays out the legal importance of planning for retreat, as well as the need for initial funding for community-level planning and experienced personnel. Few scholars have explored options for municipalities to fund difficult conversations about and initial steps towards managing retreat. Thus, Part II explores how community benefit agreements between communities and developers in climate-vulnerable areas could play a role in bridging the gap between research and implementation. Part II also introduces the idea of a climate resilience development fee, which could provide the needed blue-sky funding to implement managed retreat. Part III analyzes the validity of a climate resilience impact fee in California and Florida, two states in which the consequences of climate change are severe enough for communities to begin to consider managed retreat.", "language": "en", "license": { "name": "", "short_name": "", "text": null, "url": "" }, "keywords": [], "section": "Student Comments", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/5jd6t0fv", "frozenauthors": [ { "first_name": "Gabriella", "middle_name": "", "last_name": "Mickel", "name_suffix": "", "institution": "", "department": "" } ], "date_submitted": "2023-09-18T18:18:55-03:00", "date_accepted": "2023-09-18T18:18:55-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/uclalaw_jelp/article/60840/galley/46804/download/" } ] }, { "pk": 20198, "title": "Manduca’s Choice: Machado de Assis, the Crimean War, and the Affects of the Semiglobal", "subtitle": null, "abstract": "This essay closely examines the role played by the Crimean War in Joaquim Maria Machado de Assis’s 1900 novel \nDom Casmurro\n. In portraying the narrator of the novel, Bento Santiago, nicknamed “Casmurro,” and his boyhood friend, Manduca, as quarreling over their preference in the 1854-56 conflict between Russia and an Anglo-French-Ottoman coalition, Machado delineates certain character traits in the two friends, differentiating the sympathetic Manduca, doomed or die young, and the dour, longer-lasting Casmurro. But Machado also comments on the global reach of the Crimean War (in which Brazil was neutral) and of the global canvas on which a Brazilian novelist of this era inevitably drew. Though the world was not as well-connected as it is today, these reverberations allow us to speak of a developing semi-global environment in the mid-nineteenth century. Given Machado’s own racial background, and the persistence of slavery and colonialism worldwide, examining the Crimean War reference in the novel can speak both to the narrative strategies within \nDom Casmurro\n and to the novel’s wider sociopolitical applicability.", "language": "en", "license": { "name": "Creative Commons Attribution 4.0", "short_name": "CC BY 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\r\n\r\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by/4.0" }, "keywords": [ { "word": "Crimean War, Machado de Assis, race, affect, friendship" } ], "section": "Article", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/2np5c9xp", "frozenauthors": [ { "first_name": "Nicholas", "middle_name": "", "last_name": "Birns", "name_suffix": "", "institution": "", "department": "None" } ], "date_submitted": "2023-06-05T22:50:18-03:00", "date_accepted": "2023-06-05T22:50:18-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/transmodernity/article/20198/galley/10027/download/" } ] }, { "pk": 59472, "title": "Mapping Out the Brain: PET Scans and the Structure of the Brain", "subtitle": null, "abstract": "", "language": "en", "license": { "name": "Creative Commons Attribution-NonCommercial-NoDerivatives 4.0", "short_name": "CC BY-NC-ND 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\n\nNonCommercial — You may not use the material for commercial purposes.\n\nNoDerivatives — If you remix, transform, or build upon the material, you may not distribute the modified material.\n\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by-nc-nd/4.0" }, "keywords": [], "section": "Features", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/3gv3p6p1", "frozenauthors": [ { "first_name": "Crystal", "middle_name": "", "last_name": "Xu", "name_suffix": "", "institution": "", "department": "" } ], "date_submitted": "2024-05-14T21:42:55-03:00", "date_accepted": "2024-05-14T21:42:55-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/our_bsj/article/59472/galley/45462/download/" } ] }, { "pk": 20207, "title": "Martin-Jones, David. Cinema Against Doublethink. Ethical Encounters with the Lost Past of World History. Remapping World Cinema Series. Routledge, 2019. 242 pp.", "subtitle": null, "abstract": "Martin-Jones, David. \nCinema Against Doublethink. Ethical Encounters with the Lost Past of World History\n. Remapping World Cinema Series. Routledge, 2019. 242 pp.", "language": "en", "license": { "name": "Creative Commons Attribution 4.0", "short_name": "CC BY 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\r\n\r\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by/4.0" }, "keywords": [], "section": "Book Reviews", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/8zd8k782", "frozenauthors": [ { "first_name": "Pedro", "middle_name": "", "last_name": "Cabello del Moral", "name_suffix": "", "institution": "", "department": "None" } ], "date_submitted": "2023-06-05T23:27:23-03:00", "date_accepted": "2023-06-05T23:27:23-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/transmodernity/article/20207/galley/10036/download/" } ] }, { "pk": 21098, "title": "Marty Wachs in Memoriam", "subtitle": null, "abstract": "NA", "language": "en", "license": { "name": "Creative Commons Attribution-NonCommercial 4.0", "short_name": "CC BY-NC 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\n\nNonCommercial — You may not use the material for commercial purposes.\n\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by-nc/4.0" }, "keywords": [], "section": "Article", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/2p98x16s", "frozenauthors": [ { "first_name": "Hannah", "middle_name": "", "last_name": "King", "name_suffix": "", "institution": "", "department": "None" }, { "first_name": "Miriam", "middle_name": "", "last_name": "Pinski", "name_suffix": "", "institution": "", "department": "None" }, { "first_name": "Andrew", "middle_name": "", "last_name": "Schouten", "name_suffix": "", "institution": "", "department": "None" }, { "first_name": "Fariba", "middle_name": "", "last_name": "Siddiq", "name_suffix": "", "institution": "", "department": "None" } ], "date_submitted": "2023-01-13T13:38:21-03:00", "date_accepted": "2023-01-13T13:38:21-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/criticalplanning/article/21098/galley/10760/download/" } ] }, { "pk": 59473, "title": "Mastering the Nano Realm: Creating Two-Dimensional Materials", "subtitle": null, "abstract": "", "language": "en", "license": { "name": "Creative Commons Attribution-NonCommercial-NoDerivatives 4.0", "short_name": "CC BY-NC-ND 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\n\nNonCommercial — You may not use the material for commercial purposes.\n\nNoDerivatives — If you remix, transform, or build upon the material, you may not distribute the modified material.\n\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by-nc-nd/4.0" }, "keywords": [], "section": "Features", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/0dw6n7xh", "frozenauthors": [ { "first_name": "Phillis", "middle_name": "", "last_name": "Wan", "name_suffix": "", "institution": "", "department": "" } ], "date_submitted": "2024-05-14T21:44:10-03:00", "date_accepted": "2024-05-14T21:44:10-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/our_bsj/article/59473/galley/45463/download/" } ] }, { "pk": 57966, "title": "Media Review: Kanohi ki te Kanohi: The Living Portrait (2021)", "subtitle": null, "abstract": "Kanohi ki te Kanohi: The Living Portrait\n (2021, 21 minutes) is a video collaboration between Māori and other Pacific artists who were producing portraits in their studios in 2020 during the COVID-19 pandemic lockdown. Produced and directed by Regan Balzer and edited by Grant Triplow, it features work by Shane Tuaeu Andrew (Cook Islands), Regan Balzer (Aotearoa), Kauanoe Chang (Hawaiʻi), Turumakina Duley (Aotearoa, living in Australia), Michelle Estall (Aotearoa), Tanya Leef (Aotearoa), Rangimoana B. Morgan (Aotearoa), James Ormsby (Aotearoa), Taniela Petelo (Tonga), Vaihere Vaivai (Tahiti), and John Walsh (Aotearoa).", "language": "en", "license": { "name": "Creative Commons Attribution-NonCommercial-NoDerivatives 4.0", "short_name": "CC BY-NC-ND 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\n\nNonCommercial — You may not use the material for commercial purposes.\n\nNoDerivatives — If you remix, transform, or build upon the material, you may not distribute the modified material.\n\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by-nc-nd/4.0" }, "keywords": [ { "word": "Oceanic art, video art, Regan Balzer, COVID-19 pandemic, portraiture" } ], "section": "Reviews", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/5089m65p", "frozenauthors": [ { "first_name": "Karen", "middle_name": "", "last_name": "Stevenson", "name_suffix": "", "institution": "", "department": "" } ], "date_submitted": "2023-11-19T21:16:39-03:00", "date_accepted": "2023-11-19T21:16:39-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/pacificarts/article/57966/galley/44142/download/" } ] }, { "pk": 40349, "title": "Medieval Classrooms: The Genealogy of Teachers", "subtitle": null, "abstract": "Jean Kane, professor of English at Vassar College, examines the influence of C. Clifford Flanigan, late Professor of Comparative Literature at Indiana University and Kane’s former mentor. Reflecting on his unexpected death in 1993, which brought into question her own pedagogy in the face of grief, Kane offers a personal insight into her classroom as she attempts to bridge the gap between instructor and student when dealing with loss.", "language": "en", "license": { "name": "Creative Commons Attribution-NonCommercial-NoDerivatives 4.0", "short_name": "CC BY-NC-ND 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\n\nNonCommercial — You may not use the material for commercial purposes.\n\nNoDerivatives — If you remix, transform, or build upon the material, you may not distribute the modified material.\n\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by-nc-nd/4.0" }, "keywords": [ { "word": "medieval" }, { "word": "Grief" }, { "word": "The Faerie Queen" }, { "word": "Edmund Spenser" }, { "word": "Teaching" } ], "section": "Cluster: The Teaching Archive", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/4s83k05q", "frozenauthors": [ { "first_name": "Jean", "middle_name": "", "last_name": "Kane", "name_suffix": "", "institution": "Vassar College, U.S.", "department": "None" } ], "date_submitted": "2023-04-14T10:29:13-03:00", "date_accepted": "2023-04-14T10:29:13-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/ncs_pedagogyandprofession/article/40349/galley/30336/download/" } ] }, { "pk": 20746, "title": "Methods and Sources for a New Generation of Libyan Studies: A Roundtable", "subtitle": null, "abstract": "", "language": "en", "license": { "name": "Creative Commons Attribution-NonCommercial 4.0", "short_name": "CC BY-NC 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\n\nNonCommercial — You may not use the material for commercial purposes.\n\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by-nc/4.0" }, "keywords": [ { "word": "Libyan Studies, Libya" } ], "section": "Articles", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/52h7w5g4", "frozenauthors": [ { "first_name": "Leila", "middle_name": "", "last_name": "Tayeb", "name_suffix": "", "institution": "Northwestern University, Qatar", "department": "None" } ], "date_submitted": "2023-06-20T16:17:00-03:00", "date_accepted": "2023-06-20T16:17:00-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/lamma/article/20746/galley/10512/download/" } ] }, { "pk": 65541, "title": "Micro Black Holes: What Do We Know From Recent Research?", "subtitle": null, "abstract": "This synthesis highlights the research efforts in micro black holes in recent years and points to future prospects. Synthesizing recently published articles shows that micro black holes can have a variety of properties. This paper explores articles discussing the instantaneous evaporation of micro black holes due to Hawking Radiation, the inability of a micro black hole to accrete matter, the intense recoil effects that occur if a micro black hole absorbs matter, the stability of micro black holes, as well as the spin and electric charge they may possess. Modern methods of detecting black holes have been described as looking for specific particle signatures that match a predicted profile of Hawking Radiation from a micro black hole and looking for possible signs of a micro black hole remnant. Expectations suggest that planned future projects will aid in the search for micro black holes by taking advantage of high-energy cosmic particle collisions.", "language": "en", "license": null, "keywords": [ { "word": "Black Holes" }, { "word": "Particle Collisions" }, { "word": "Particle Accelerator" }, { "word": "High Energy Physics" } ], "section": "Natural Sciences", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/9f06m0p2", "frozenauthors": [ { "first_name": "Maximilian", "middle_name": "", "last_name": "Cozzi", "name_suffix": "", "institution": "", "department": "" } ], "date_submitted": "2023-11-30T00:24:27-03:00", "date_accepted": "2023-11-30T00:24:27-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/ucm_mwp_ucmurj/article/65541/galley/50170/download/" } ] }, { "pk": 59452, "title": "MicroCycling: Realizing the Potential of Lanthanide Metabolism (Dr. Norma Cecilia Martinez-Gomez)", "subtitle": null, "abstract": "", "language": "en", "license": null, "keywords": [], "section": "Interviews", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/1vz9c5rq", "frozenauthors": [ { "first_name": "Ann", "middle_name": "", "last_name": "Palayur", "name_suffix": "", "institution": "", "department": "" }, { "first_name": "Jackie", "middle_name": "", "last_name": "Pennington", "name_suffix": "", "institution": "", "department": "" }, { "first_name": "Allisun", "middle_name": "", "last_name": "Wiltshire", "name_suffix": "", "institution": "", "department": "" } ], "date_submitted": "2023-09-17T18:03:38-03:00", "date_accepted": "2023-09-17T18:03:38-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/our_bsj/article/59452/galley/45444/download/" } ] }, { "pk": 20249, "title": "Miguel Delibes y el sosiego sacramental", "subtitle": null, "abstract": "Si la muerte es un tema central en la obra novelística de Miguel Delibes y la religión una constante en la sociedad en la que se desarrollan sus novelas, se antoja imprescindible analizar la manera en la que se exterioriza dicha fe en los últimos momentos de vida de los personajes. En concreto, la confesión como bálsamo de los arrepentidos y la extremaunción de los moribundos se presentan en las páginas delibesianas de manera recurrente. Igualmente, las oraciones finales en las que se encomienda a Dios el cuidado del alma del difunto son una muestra palpable de religiosidad, como lo son también los epitafios que plasman en la tumba la fe del muerto. Todos estos aspectos se analizan en este artículo con el fin de sacar a la luz las muestras externas de un sentimiento religioso asfixiante que incluso llegó a obsesionar al propio Delibes.", "language": "en", "license": { "name": "Creative Commons Attribution 4.0", "short_name": "CC BY 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\r\n\r\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by/4.0" }, "keywords": [ { "word": "Miguel Delibes, Sacramentos, Religión, Muerte" } ], "section": "Article", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/04h8d2h0", "frozenauthors": [ { "first_name": "Íñigo", "middle_name": "", "last_name": "Salinas Moraga", "name_suffix": "", "institution": "", "department": "None" } ], "date_submitted": "2023-12-31T12:43:53-03:00", "date_accepted": "2023-12-31T12:43:53-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/transmodernity/article/20249/galley/10041/download/" } ] }, { "pk": 63817, "title": "Mixed-Race Kanak in “a World Cut in Two”: Contemporary Experiences in Kanaky/New Caledonia", "subtitle": null, "abstract": "This article interrogates how the profound history of spatial segregation across colonial, racial, and cultural lines appears in contemporary narratives of mixed-race people in Kanaky/New Caledonia (K/NC). By tracing the moments that specific spaces, such as “the city” and “the tribe,” are mentioned in these narratives, the article shows how the colonial divide structures selves, relations, spaces, and society and manifests itself in discussions with self-identified métis/ses Kanak-White people, especially in the context of the formal decolonization process K/NC is going through. The research draws primarily on interviews with self-identified métis/ses Kanak-White people that took place a few months before the 2018 referendum for independence. The primary question this article seeks to answer is: how does French colonialism spatially determine the lives of métis/ses in K/NC? For this purpose, it analyzes how métis/ses Kanak-White people navigate the variety of spaces they inhabit through experiences of everyday racism and explores how spatial polarization appears in their stories, particularly given the significance of the land for Kanak identity. Notably, the article shows how colonial rhetoric transpires in these different spaces by way of regulating whether the métis/se body belongs within a particular space.", "language": "en", "license": { "name": "Creative Commons Attribution 4.0", "short_name": "CC BY 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\n\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by/4.0" }, "keywords": [], "section": "Article", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/17f845m0", "frozenauthors": [ { "first_name": "Anaïs", "middle_name": "", "last_name": "Duong-Pedica", "name_suffix": "", "institution": "", "department": "" } ], "date_submitted": "2023-08-18T12:59:03-03:00", "date_accepted": "2023-08-18T12:59:03-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/jcmrs/article/63817/galley/49001/download/" } ] }, { "pk": 63813, "title": "Mixed Race, Mixed Identities, and Indigeneity: Context and Theory", "subtitle": null, "abstract": "In the opening piece of this special issue of the Journal of Critical Mixed Race Studies, “Mixedness and Indigeneity in the Pacific,” Zarine L. Rocha provides context and theory for the issue’s unpacking of mixed race, mixed identities, and Indigeneity.", "language": "en", "license": { "name": "Creative Commons Attribution 4.0", "short_name": "CC BY 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\n\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by/4.0" }, "keywords": [], "section": "Article", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/05j186gm", "frozenauthors": [ { "first_name": "Zarine", "middle_name": "L.", "last_name": "Rocha", "name_suffix": "", "institution": "", "department": "" } ], "date_submitted": "2023-08-18T12:52:40-03:00", "date_accepted": "2023-08-18T12:52:40-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/jcmrs/article/63813/galley/48997/download/" } ] }, { "pk": 57106, "title": "Mujeres-agua, mujeres-espejo y mujeres-puente en la creación y promoción de la canción artística latinoamericana e ibérica", "subtitle": null, "abstract": "La contribución femenina al desarrollo del ecosistema musical en Iberoamérica ha sido abundante, sin embargo, no ha sido vista en su totalidad por hallarnos inmersos en una sociedad patriarcal que ha privilegiado el aporte masculino asociándolo al racionalismo ilustrado que favorece la razón, en detrimento de los saberes adquiridos a través de los los sentidos y las emociones, formas denigradas, asociadas a sociedades premodernas y vinculadas con lo femenino. En este contexto, al estudiar el aporte de las mujeres a la música, la historiografía se ha centrado casi exclusivamente en el estudio de las compositoras — trabajo considerado intelectual— y su impacto en los espacios públicos —espacios de predominio masculino—, ignorando a las mecenas, maestras, intérpretes y audiencias, agentes decisivos para la transmisión y preservación de la música y de los valores asociados a ella, en espacios privados y públicos. Para entender el impacto de los diferentes agentes productores de significado en el género de canción artística, observaremos la trayectoria de una compositora, una poeta y una intérprete.", "language": "en", "license": { "name": "Creative Commons Attribution 4.0", "short_name": "CC BY 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\n\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by/4.0" }, "keywords": [ { "word": "canción artística latinoamericana" }, { "word": "mujeres" }, { "word": "compositoras" }, { "word": "canción española" }, { "word": "compositoras latinoamericanas" }, { "word": "compositoras catalanas" }, { "word": "Conxita Badía" }, { "word": "Gabriela Mistral" }, { "word": "Chiquinha Gonzaga" }, { "word": "Latin American art song" }, { "word": "women in music" }, { "word": "women composers" }, { "word": "Spanish song" } ], "section": "ARTICLES", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/90n5752x", "frozenauthors": [ { "first_name": "Patricia", "middle_name": "", "last_name": "Caicedo", "name_suffix": "", "institution": "Barcelona Festival of Song", "department": "" } ], "date_submitted": "2023-06-26T12:52:14-03:00", "date_accepted": "2023-06-26T12:52:14-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/diagonal/article/57106/galley/43305/download/" } ] }, { "pk": 40372, "title": "Musings on the Medieval: An Interview with Caroline Bergvall", "subtitle": null, "abstract": "This interview focuses on Caroline Bergvall’s medievalist works: Meddle English (2011), Drift (2014), and Alisoun Sings (2019). Bergvall discusses interrelations between her own work and medieval (literary) practices, her handling of medieval source material, and how the term ‘retelling’ relates to her texts.", "language": "en", "license": { "name": "Creative Commons Attribution-NonCommercial-NoDerivatives 4.0", "short_name": "CC BY-NC-ND 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\n\nNonCommercial — You may not use the material for commercial purposes.\n\nNoDerivatives — If you remix, transform, or build upon the material, you may not distribute the modified material.\n\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by-nc-nd/4.0" }, "keywords": [], "section": "Cluster: Retellings of Medieval Literature in the Classroom", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/97z3288q", "frozenauthors": [ { "first_name": "Eva", "middle_name": "", "last_name": "von Contzen", "name_suffix": "", "institution": "", "department": "None" }, { "first_name": "Sophia", "middle_name": "Philomena", "last_name": "Wolf", "name_suffix": "", "institution": "", "department": "None" } ], "date_submitted": "2023-10-17T09:04:56-03:00", "date_accepted": "2023-10-17T09:04:56-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/ncs_pedagogyandprofession/article/40372/galley/30352/download/" } ] }, { "pk": 59464, "title": "Mutation", "subtitle": null, "abstract": "Mutation", "language": "en", "license": null, "keywords": [], "section": "Science and the Arts", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/97n0q1nd", "frozenauthors": [ { "first_name": "Irena", "middle_name": "", "last_name": "Sun", "name_suffix": "", "institution": "", "department": "" } ], "date_submitted": "2023-09-17T18:26:43-03:00", "date_accepted": "2023-09-17T18:26:43-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/our_bsj/article/59464/galley/45456/download/" } ] }, { "pk": 59481, "title": "Nanomaterials in Regenerative Dentistry", "subtitle": null, "abstract": "", "language": "en", "license": { "name": "Creative Commons Attribution-NonCommercial-NoDerivatives 4.0", "short_name": "CC BY-NC-ND 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\n\nNonCommercial — You may not use the material for commercial purposes.\n\nNoDerivatives — If you remix, transform, or build upon the material, you may not distribute the modified material.\n\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by-nc-nd/4.0" }, "keywords": [], "section": "Features", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/72j2p4m8", "frozenauthors": [ { "first_name": "Varsha", "middle_name": "", "last_name": "Raju", "name_suffix": "", "institution": "", "department": "" } ], "date_submitted": "2024-05-14T21:55:34-03:00", "date_accepted": "2024-05-14T21:55:34-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/our_bsj/article/59481/galley/45471/download/" } ] }, { "pk": 57099, "title": "Narrativas paralelas: nuevas metodologías y documentos para una historiografía de la ópera italiana en el México independiente", "subtitle": null, "abstract": "Este artículo analiza la breve pero intensa estancia mexicana del tenor y compositor Manuel García entre 1826 y 1828 con el objetivo de replantear perspectivas historiográficas y metodologías de investigación respecto a la llegada de la ópera italiana en la América Latina postcolonial en términos más generales. La primera parte retoma los recientes debates postcoloniales para cuestionar el cortocircuito narrativo que surge entre las ‘verdades’ que tanto el discurso europeo como el mexicano fueron erigiendo sobre la presencia de Manuel García en México a lo largo del último siglo: si el primero fue condicionado por la necesidad de preservar la centralidad y superioridad de Europa ante el ‘otro’, el discurso mexicano fue fomentado por un esfuerzo de representar a una nueva nación independiente, autónoma y moderna. La segunda parte analiza documentos inéditos respecto a la presencia de García en México con el objetivo de definir un camino historiográfico alternativo. El enfoque de este artículo abarcará solamente los primeros meses de su estancia mexicana, desde su llegada al puerto de Veracruz hasta su debut con el \nBarbero\n de Rossini en el verano de 1827, en los que se fueron entrelazando esas tensiones y conflictos culturales que terminarían transformando la presencia de García en un momento crítico pero fundamental en la historia musical de México.", "language": "en", "license": { "name": "Creative Commons Attribution 4.0", "short_name": "CC BY 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\n\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by/4.0" }, "keywords": [ { "word": "Manuel García" }, { "word": "México independiente" }, { "word": "Gioachino Rossini" }, { "word": "ópera italiana" }, { "word": "Barbiere di Siviglia" }, { "word": "siglo XIX" }, { "word": "historiografía musical" } ], "section": "ARTICLES", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/2bc2b2t4", "frozenauthors": [ { "first_name": "Francesco", "middle_name": "", "last_name": "Milella", "name_suffix": "", "institution": "Cambridge University", "department": "" } ], "date_submitted": "2023-04-02T12:54:51-03:00", "date_accepted": "2023-04-02T12:54:51-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/diagonal/article/57099/galley/43298/download/" } ] }, { "pk": 60837, "title": "Natural Resource Property Customs", "subtitle": null, "abstract": "This Article examines the role that property customs played in the development of American mining law. It analyzes how small communities of international miners developed systems of property governance and how those customary systems led to the shaping of mineral ownership and mining legislation in America.\nNatural resource communities often rely on custom as a form of governance and assertion of property ownership. Resource-based knowledge transfer and relative isolation from established legal systems ensured these customs flourished. But the legislation of these natural resource property customs does not necessarily promote a governance framework that benefits all stakeholders.\nThis Article begins with a study of mining communities and how a uniques ystem of property ownership flowing from natural resource customs encouraged mineral development and wealth accumulation. These customs were developed by global mining communities over centuries and even millennia. They were brought to the United States in the 1800s where they took root and were eventually enacted as the 1872 General Mining Law, which remains in effect today. In the modern era of space exploration, e-commerce, and internet, the U.S. follows the same Civil War-era mining law, enacted prior to the invention of the lightbulb and automobile.\nBecause of these original mining customs, the U.S. government does not collect any royalty revenue or even know what is produced from hard rock mines on public domain lands. Moreover, the miners’ customs were also adopted to govern other resources, such as water. The prior appropriation doctrine, which uses a priority system of rights and largely governs water in the arid West, originates from the mining communities. The doctrine’s use has exacerbated conflicts as water becomes scarce. This Article advises that understanding the origin of legislated property customs is necessary before their continued use and application to other natural resources.", "language": "en", "license": { "name": "", "short_name": "", "text": null, "url": "" }, "keywords": [], "section": "Articles", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/2pv2t7v5", "frozenauthors": [ { "first_name": "Monika", "middle_name": "U.", "last_name": "Ehrman", "name_suffix": "", "institution": "", "department": "" } ], "date_submitted": "2023-09-18T18:10:20-03:00", "date_accepted": "2023-09-18T18:10:20-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/uclalaw_jelp/article/60837/galley/46800/download/" }, { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/uclalaw_jelp/article/60837/galley/46801/download/" } ] }, { "pk": 35821, "title": "Need a Day Off? Who Decided Dancers Don't?", "subtitle": null, "abstract": "Allowing for a \"mental health day\" off can prevent burnout, so it's time for the dance community to pay attention.", "language": "en", "license": { "name": "", "short_name": "", "text": null, "url": "" }, "keywords": [], "section": "Dance Major Journal 11", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/7362j2jp", "frozenauthors": [ { "first_name": "Gianna", "middle_name": "", "last_name": "Acciacca", "name_suffix": "", "institution": "", "department": "None" } ], "date_submitted": "2023-10-13T18:25:37-03:00", "date_accepted": "2023-10-13T18:25:37-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/dmj/article/35821/galley/26686/download/" } ] }, { "pk": 56802, "title": "“Not Yet Uhuru” and “Aborted Voyage”: A Comparative Study of Ngugi wa Thiong’o’s Petals of Blood and George Lamming’s Natives of My Person", "subtitle": null, "abstract": "The essay explores Ngugi wa Thiong’o’s and George Lamming’s disenchantment with the political dispensation of their countries with flag independence as opposed to actual liberation. The paper adopts a comparative approach to analyze the neocolonial predicament in Kenya and the legacies of the slave trade in the Caribbean through their respective novels \nPetals of Blood \nand \nNatives of My Person\n. A close examination of both novels reveals that the writers focused on the histories of Kenya and the Caribbean, attributing the predicament of the modern period to the past. The two writers, the essay will reveal, offer diagnoses of the problems of society and of human beings with Ngugi attributing malignancy to the political structures in Kenya, and Lamming arguing that malignancy is embedded in the human personality. While Ngugi’s radicalism sees hope for social change through a political revolution, Lamming’s psychological orientation as a novelist upholds internal change as a panacea for the Caribbean post–colonial predicament. In Kenya, the journey to Uhuru failed to materialize in the same way that the voyage to San Cristobal was aborted. Despite the author’s differences in political orientation, both novels draw upon historical and cultural experiences between Africa and the Caribbean providing a powerful assessment of the shared neocolonial condition\n.", "language": "en", "license": null, "keywords": [], "section": "Part II—Essays", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/1024d7k0", "frozenauthors": [ { "first_name": "Kabir", "middle_name": "", "last_name": "Ahmed", "name_suffix": "", "institution": "", "department": "" } ], "date_submitted": "2023-12-29T06:14:10-03:00", "date_accepted": "2023-12-29T06:14:10-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/ufahamu/article/56802/galley/43103/download/" } ] }, { "pk": 40333, "title": "Nurturing Undergraduate Research: Reflections on the Moravian Undergraduate Conference in Medieval and Early Modern Studies, 2006-2021", "subtitle": null, "abstract": "The authors reflect on fifteen undergraduate conferences featuring over 1200 student papers. Several patterns have stood out: the vibrancy of interest in medieval and early modern studies, the extent to which students’ topical interests reflect trends within the disciplines, and the challenges to medieval and early modern studies resulting from changes in both administrative and student cultures.", "language": "en", "license": { "name": "Creative Commons Attribution-NonCommercial-NoDerivatives 4.0", "short_name": "CC BY-NC-ND 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\n\nNonCommercial — You may not use the material for commercial purposes.\n\nNoDerivatives — If you remix, transform, or build upon the material, you may not distribute the modified material.\n\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by-nc-nd/4.0" }, "keywords": [ { "word": "Medieval Studies" }, { "word": "Early Modern Studies" }, { "word": "Undergraduate Research" }, { "word": "conferences" } ], "section": "Histories", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/6bw839rx", "frozenauthors": [ { "first_name": "Sandy", "middle_name": "", "last_name": "Bardsley", "name_suffix": "", "institution": "Moravian University", "department": "None" }, { "first_name": "John", "middle_name": "", "last_name": "Black", "name_suffix": "", "institution": "Moravian University", "department": "None" } ], "date_submitted": "2022-12-11T20:03:18-03:00", "date_accepted": "2022-12-11T20:03:18-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/ncs_pedagogyandprofession/article/40333/galley/30330/download/" } ] }, { "pk": 55173, "title": "Ode to 옹기: An examination of culinary tradition, memory, and belonging in the Korean diaspora", "subtitle": null, "abstract": "옹기 are earthenware pots originating on the Korean peninsula; vessels that have sustained kitchens and designed palettes since before the common era. Home to fermented vegetables, cooking pastes, and alcoholic beverages, 옹기 are not so much culinary tools (though their practical benefits are innumerable) as they are symbols of nostalgia, artistry, and life. In turn, their fading regularity today provokes a greater discourse questioning the effects of modernity and the fluidity of tradition across generations of Korean diaspora. Beginning with 옹기, this paper analyzes the concept of authenticity as it appears in several diasporic negotiations of self, “home,” and belonging. Often when writing “ethnic” food, assumptions are liberally made, and the cuisine is homogenized—both intentionally and not, though this distinction matters little when the effect is the same. In light of this, terms like 고추장 are indexed as simply “spicy red pepper paste” rather than “Korean spicy red pepper paste”–a nuanced yet persistent attempt at asserting the narrative as told for and by the subjects it concerns, rather than in observation of them. While food is crucial to many diasporic relationships with “home,” for some the two are completely unrelated, a detail seldom acknowledged by Western perspectives on the culinary world. We are not defined by authenticity nor our proximity to it, and our experiences parallel one another to a far lesser extent than they are unique, such that any attempt to generalize them is futile. Instead, it is much more substantial to recognize—and rejoice in—the endless variety of our narratives, identities, and dinner tables.", "language": "en", "license": { "name": "Creative Commons Attribution-NonCommercial-NoDerivatives 4.0", "short_name": "CC BY-NC-ND 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\n\nNonCommercial — You may not use the material for commercial purposes.\n\nNoDerivatives — If you remix, transform, or build upon the material, you may not distribute the modified material.\n\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by-nc-nd/4.0" }, "keywords": [], "section": "Articles", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/336713zb", "frozenauthors": [ { "first_name": "Jio", "middle_name": "", "last_name": "Park", "name_suffix": "", "institution": "", "department": "" } ], "date_submitted": "2023-04-21T21:27:55-03:00", "date_accepted": "2023-04-21T21:27:55-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/aarj/article/55173/galley/41544/download/" } ] }, { "pk": 61314, "title": "One Sari, Three Different Ways to Drape It: Trademarks, Religion, Language, and Morality in Post-Colonial India, Pakistan, and Bangladesh", "subtitle": null, "abstract": "Pakistan, India, and Bangladesh were all established on a sense of wanting to be a majority in a nation where they were once “othered,” be it by the British, Hindu majority, or Urdu-speaking majority. As a result, religious independence and mother-tongue/linguistic independence are highly valued in these countries, and are the context by which the morality of trademarks within the borders of these countries are assessed. Notions of free speech traditions and political ideologies that also color traditions are discussed, as they also run abreast trademark law. Although these three countries once emerged from one land, they carry differences as distinct and rich as the cultural and religious historical tensions that define them. Each sought to create a space where their cultural and religious identities were represented fairly. As thus, it is no surprise that religion is such an important consideration that it was codified into each country’s trademark law.\nThis paper aims to illustrate what each country deems as running afoul to notions of morality and religious susceptibilities, and how that may have changed over time with politics and other social factors. The factors that may have influenced these definitions is assessed in depth by country, with homage to the political structures and free speech traditions within which they are nested. A framework of what would and what wouldn’t qualify as a registrable trademark under the morality bar is posited through an analysis of government guidelines on registering trademarks, case law, and a comparative analysis of certain marks that were treated one way under one country’s standard but could be treated differently under different standards from other countries.", "language": "en", "license": { "name": "", "short_name": "", "text": null, "url": "" }, "keywords": [], "section": "Articles", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/5kv46084", "frozenauthors": [ { "first_name": "Zehra", "middle_name": "", "last_name": "Jafri", "name_suffix": "", "institution": "", "department": "" } ], "date_submitted": "2023-12-20T22:58:49-03:00", "date_accepted": "2023-12-20T22:58:49-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/uclalaw_pblj/article/61314/galley/47348/download/" } ] }, { "pk": 40375, "title": "On Not Wasting Time", "subtitle": null, "abstract": "This essay considers the value of thinking about the strangeness of the medieval past. It explores how varied human subjectivity can be across time and thinks about how accessing radically alien subjectivities from the medieval past can have a value for us in our present. It takes three examples of attitudes to particular concepts––genius, technology, and love––that demonstrate both the difference of the medieval past and how our social norms and values have their roots in that historical period. Reading medieval literature requires us, at times, to make imaginative leaps––where do they take us?", "language": "en", "license": { "name": "Creative Commons Attribution-NonCommercial-NoDerivatives 4.0", "short_name": "CC BY-NC-ND 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\n\nNonCommercial — You may not use the material for commercial purposes.\n\nNoDerivatives — If you remix, transform, or build upon the material, you may not distribute the modified material.\n\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by-nc-nd/4.0" }, "keywords": [], "section": "Cluster: The Social Value of Medieval Studies", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/1px6h293", "frozenauthors": [ { "first_name": "Marion", "middle_name": "", "last_name": "Turner", "name_suffix": "", "institution": "", "department": "None" } ], "date_submitted": "2023-10-17T09:08:26-03:00", "date_accepted": "2023-10-17T09:08:26-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/ncs_pedagogyandprofession/article/40375/galley/30355/download/" } ] }, { "pk": 34071, "title": "On the Basis of Childbirth: How the Federal Clerkship's Lack of Parental Leave Fosters Gender Inequality", "subtitle": null, "abstract": "This Essay argues that the lack of paid parental leave for federal law clerks enables pregnancy discrimination, restricts women's reproductive choice, and perpetuates gender inequality within the legal profession.\nThis Essay is organized as follows. Part I demonstrates how the lack of parental leave leads to an implicit prohibition against childbirth, thereby enabling pregnancy discrimination and restricting women's reproductive choice. Part II shows how the lack of parental leave fosters gender inequality within the profession by allowing men, but not women, to build their career and family simultaneously. Part III explains why the clerkship's unique structure is no justification for denying parental leave to term clerks.", "language": "en", "license": { "name": "", "short_name": "", "text": null, "url": "" }, "keywords": [], "section": "Article", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/1rg6s0mp", "frozenauthors": [ { "first_name": "Bailey", "middle_name": "", "last_name": "Sanders", "name_suffix": "", "institution": "", "department": "None" } ], "date_submitted": "2023-07-14T14:57:57-03:00", "date_accepted": "2023-07-14T14:57:57-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/uclalaw_jgl/article/34071/galley/25112/download/" }, { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/uclalaw_jgl/article/34071/galley/25113/download/" } ] }, { "pk": 59460, "title": "Optimization of Mounting Methods for Tension-Compression Testing of Murine Intervertebral Disc Joints", "subtitle": null, "abstract": "", "language": "en", "license": null, "keywords": [], "section": "Research", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/6mq2k8bm", "frozenauthors": [ { "first_name": "Joanna", "middle_name": "E.", "last_name": "Veres", "name_suffix": "", "institution": "", "department": "" }, { "first_name": "Shiyin", "middle_name": "", "last_name": "Lim", "name_suffix": "", "institution": "", "department": "" }, { "first_name": "Grace", "middle_name": "D.", "last_name": "O’Connell", "name_suffix": "", "institution": "", "department": "" } ], "date_submitted": "2023-09-17T18:22:27-03:00", "date_accepted": "2023-09-17T18:22:27-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/our_bsj/article/59460/galley/45452/download/" } ] }, { "pk": 25276, "title": "Our nature: A queer relationship with wilderness", "subtitle": null, "abstract": "A re-envisioning of our understanding of wilderness, informed by a queer understanding of our place in it, can offer new ways of looking at the climate crisis. A deeper relationship with wilderness offers us new pathways of understanding and connection. For queer people this relationship can offer a healing salve for the historical abuses inflicted upon us by societal structures and can promote a sense of purpose and connection in our existence here as a part of this environment.", "language": "en", "license": { "name": "Creative Commons Attribution-NonCommercial 4.0", "short_name": "CC BY-NC 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\n\nNonCommercial — You may not use the material for commercial purposes.\n\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by-nc/4.0" }, "keywords": [], "section": "Featured Theme Articles", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/0q78f55z", "frozenauthors": [ { "first_name": "Lance", "middle_name": "", "last_name": "Garland", "name_suffix": "", "institution": "", "department": "None" } ], "date_submitted": "2023-05-15T14:28:22-03:00", "date_accepted": "2023-05-15T14:28:22-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/psf/article/25276/galley/14905/download/" } ] }, { "pk": 59445, "title": "Out For Blood: Biotechnology to Eradicate Horseshoe Crab Bleeding", "subtitle": null, "abstract": "", "language": "en", "license": null, "keywords": [], "section": "Features", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/14t4b5v4", "frozenauthors": [ { "first_name": "Gracie", "middle_name": "", "last_name": "Vennewitz", "name_suffix": "", "institution": "", "department": "" } ], "date_submitted": "2023-09-17T17:47:06-03:00", "date_accepted": "2023-09-17T17:47:06-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/our_bsj/article/59445/galley/45437/download/" } ] }, { "pk": 57964, "title": "Pacific Arts N.S. Vol. 23 No. 1 (2023)", "subtitle": null, "abstract": "Pacific Arts\n Vol. 23 No. 1 (2023) with Special Section: PAA-E Conference", "language": "en", "license": { "name": "Creative Commons Attribution-NonCommercial-NoDerivatives 4.0", "short_name": "CC BY-NC-ND 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\n\nNonCommercial — You may not use the material for commercial purposes.\n\nNoDerivatives — If you remix, transform, or build upon the material, you may not distribute the modified material.\n\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by-nc-nd/4.0" }, "keywords": [ { "word": "Pacific Arts Association, Pacific Arts Association–Europe, Oceania, art, pacific art, material culture" } ], "section": "Full Issue", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/5h06s8mt", "frozenauthors": [ { "first_name": "Editors", "middle_name": "", "last_name": "Pacific Arts", "name_suffix": "", "institution": "", "department": "" } ], "date_submitted": "2023-11-12T11:50:00-03:00", "date_accepted": "2023-11-12T11:50:00-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/pacificarts/article/57964/galley/44140/download/" } ] }, { "pk": 57962, "title": "Pacific Arts N.S. Vol. 23 No. 1 (2023)", "subtitle": null, "abstract": "Pacific Arts\n Vol. 23 No. 1 (2023) with Special Section: PAA-E Conference", "language": "en", "license": { "name": "Creative Commons Attribution-NonCommercial-NoDerivatives 4.0", "short_name": "CC BY-NC-ND 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\n\nNonCommercial — You may not use the material for commercial purposes.\n\nNoDerivatives — If you remix, transform, or build upon the material, you may not distribute the modified material.\n\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by-nc-nd/4.0" }, "keywords": [], "section": "Front Matter", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/6mk8w06j", "frozenauthors": [ { "first_name": "Editors", "middle_name": "", "last_name": "Pacific Arts", "name_suffix": "", "institution": "", "department": "" } ], "date_submitted": "2023-11-12T11:27:54-03:00", "date_accepted": "2023-11-12T11:27:54-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/pacificarts/article/57962/galley/44138/download/" } ] }, { "pk": 57967, "title": "Pacific Arts N.S. Vol. 23 No. 2 (2023-24)", "subtitle": null, "abstract": "Pacific Arts\n Vol. 23 No. 2 (2023-24) with Special Section: PAA-E Conference", "language": "en", "license": { "name": "Creative Commons Attribution-NonCommercial-NoDerivatives 4.0", "short_name": "CC BY-NC-ND 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\n\nNonCommercial — You may not use the material for commercial purposes.\n\nNoDerivatives — If you remix, transform, or build upon the material, you may not distribute the modified material.\n\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by-nc-nd/4.0" }, "keywords": [], "section": "Front Matter", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/8xq767c6", "frozenauthors": [ { "first_name": "Pacific Arts", "middle_name": "", "last_name": "Editors", "name_suffix": "", "institution": "", "department": "" } ], "date_submitted": "2024-01-21T11:12:16-03:00", "date_accepted": "2024-01-21T11:12:16-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/pacificarts/article/57967/galley/44143/download/" } ] }, { "pk": 57968, "title": "Pacific Arts N.S. Vol. 23 No. 2 (2023-24)", "subtitle": null, "abstract": "Pacific Arts\n Vol. 23 No. 2 (2023-24) with Special Section: PAA-E Conference", "language": "en", "license": { "name": "Creative Commons Attribution-NonCommercial-NoDerivatives 4.0", "short_name": "CC BY-NC-ND 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\n\nNonCommercial — You may not use the material for commercial purposes.\n\nNoDerivatives — If you remix, transform, or build upon the material, you may not distribute the modified material.\n\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by-nc-nd/4.0" }, "keywords": [ { "word": "Pacific Arts Association, Pacific Arts Association–Europe, Oceania, art, pacific art, material culture" } ], "section": "Full Issue", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/6rh9d5bh", "frozenauthors": [ { "first_name": "Pacific Arts", "middle_name": "", "last_name": "Editors", "name_suffix": "", "institution": "", "department": "" } ], "date_submitted": "2024-01-21T11:20:30-03:00", "date_accepted": "2024-01-21T11:20:30-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/pacificarts/article/57968/galley/44144/download/" } ] }, { "pk": 57107, "title": "Pacto de violeiro: entre as cordas, o diabo e a cruz", "subtitle": null, "abstract": "O pacto do violeiro com o diabo é um tema recorrente no universo dos tocadores de viola em diferentes regiões do Brasil. Este artigo tem como objetivo realizar uma revisão bibliográfica acerca deste tema, através de pesquisas de violeiros, antropólogos e etnomusicólogos realizadas no norte do estado de Minas Gerais. Buscar um entendimento sobre o diabo no Brasil estabelecido e criado através dos colonizadores portugueses, populações indígenas e populações pretas, e como este se relaciona com as histórias narradas sobre os pactos dos violeiros. Proponho neste trabalho uma compreensão sobre como as histórias de pacto contribuem para a construção do mítico diabo no mundo da viola no Brasil.", "language": "en", "license": { "name": "Creative Commons Attribution 4.0", "short_name": "CC BY 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\n\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by/4.0" }, "keywords": [ { "word": "narrativa" }, { "word": "pacto" }, { "word": "diabo" }, { "word": "viola" }, { "word": "narrative" }, { "word": "pact" }, { "word": "devil" }, { "word": "viola caipira" } ], "section": "ARTICLES", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/4fd1z7h6", "frozenauthors": [ { "first_name": "Caio", "middle_name": "", "last_name": "de Souza", "name_suffix": "", "institution": "Indiana University", "department": "" } ], "date_submitted": "2023-06-26T12:55:26-03:00", "date_accepted": "2023-06-26T12:55:26-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/diagonal/article/57107/galley/43306/download/" } ] }, { "pk": 20255, "title": "Padilla, Yajaira M. From Threatening Guerrillas to Forever Illegals: US Central Americans and the Cultural Politics of Non-Belonging. Austin: University of Texas Press, 2022. 249 pp.", "subtitle": null, "abstract": "Padilla, Yajaira M. \nFrom Threatening Guerrillas to Forever Illegals: US Central Americans and the Cultural Politics of Non-Belonging.\n Austin: University of Texas Press, 2022. 249 pp.", "language": "en", "license": { "name": "Creative Commons Attribution 4.0", "short_name": "CC BY 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\r\n\r\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by/4.0" }, "keywords": [], "section": "Book Reviews", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/2fv009x5", "frozenauthors": [ { "first_name": "Adrian", "middle_name": "Taylor", "last_name": "Kane", "name_suffix": "", "institution": "", "department": "None" } ], "date_submitted": "2023-12-31T12:56:56-03:00", "date_accepted": "2023-12-31T12:56:56-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/transmodernity/article/20255/galley/10047/download/" } ] }, { "pk": 59777, "title": "Pandemic Borders and Racial Borders: Keynote Delivered at the 2020 Annual Symposium of the UCLA Journal of International Law and Foreign Affairs", "subtitle": null, "abstract": "", "language": "en", "license": { "name": "", "short_name": "", "text": null, "url": "" }, "keywords": [], "section": "Symposium Keynote Speech", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/9nb6305h", "frozenauthors": [ { "first_name": "E. Tendayi", "middle_name": "", "last_name": "Achiume", "name_suffix": "", "institution": "", "department": "" } ], "date_submitted": "2023-11-14T18:13:05-03:00", "date_accepted": "2023-11-14T18:13:05-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/jilfa/article/59777/galley/45738/download/" } ] }, { "pk": 57173, "title": "Pandemic Eugenics: Discrimination, Disability, & Detention During COVID-19", "subtitle": null, "abstract": "The hidden blueprint of eugenics continues to shape the treatment of captive and vulnerable populations throughout the current pandemic. Though nominally discredited, eugenic thinking continues to guide our twenty-first century incarceration policies and our discriminatory treatment of detained, disabled, and neglected populations. During COVID-19, our unrecognized reliance on eugenics has caused a cascade of disasters: disregard for the welfare of incarcerated people who have fought COVID-19 without supplies, social distancing ability, or compassionate release; hospital rationing policies which limit use of ventilators, hospital beds, and other medical devices by disabled and elderly individuals; the skyrocketing death toll in nursing and long-term care homes; and the profound neglect of group home residents, including children in foster care and the cognitively and developmentally disabled.\nThese inequitable practices follow a pattern consistent with the philosophy of eugenics. Our society has isolated a class of “unfit” and “unvalued” people, whose lives and dignity are treated as less worthy than others. This article reveals the hidden eugenic thinking supporting our mistreatment of disabled, captive, and vulnerable individuals during the pandemic, and proposes broad and longer-lasting solutions to this legacy of discrimination.", "language": "en", "license": { "name": "", "short_name": "", "text": null, "url": "" }, "keywords": [], "section": "Articles", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/3qq9j2ss", "frozenauthors": [ { "first_name": "Laura", "middle_name": "I.", "last_name": "Appleman", "name_suffix": "", "institution": "", "department": "" } ], "date_submitted": "2024-01-22T17:19:00-03:00", "date_accepted": "2024-01-22T17:19:00-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/ucladlj/article/57173/galley/43370/download/" } ] }, { "pk": 57956, "title": "-/+peace = @.edu", "subtitle": null, "abstract": "In \n-/+peace = @.edu\n, an ongoing work of images and poems that will include multiple series, artist Cheryl Nohealani Olivieri explores home in Hawaiʻi as a place of fragmentation—where natives, islanders, residents, and visitors become entangled and call into question the production of identities amidst postwar shifts in geo-political relations.", "language": "en", "license": { "name": "Creative Commons Attribution-NonCommercial-NoDerivatives 4.0", "short_name": "CC BY-NC-ND 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\n\nNonCommercial — You may not use the material for commercial purposes.\n\nNoDerivatives — If you remix, transform, or build upon the material, you may not distribute the modified material.\n\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by-nc-nd/4.0" }, "keywords": [ { "word": "postwar Pacific, Hawaiʻi, contemporary art, poetry" } ], "section": "Research Notes & Creative Work", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/0hr0x6jf", "frozenauthors": [ { "first_name": "Cheryl Nohealani", "middle_name": "", "last_name": "Olivieri", "name_suffix": "", "institution": "", "department": "" } ], "date_submitted": "2023-11-05T20:45:45-03:00", "date_accepted": "2023-11-05T20:45:45-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/pacificarts/article/57956/galley/44132/download/" } ] }, { "pk": 40354, "title": "Pedagogy and Pizarro", "subtitle": null, "abstract": "This essay describes the pedagogic style and teaching philosophy of Joaquín Martínez Pizarro, a scholar distinguished by his translations (from Latin) and literary interpretations of important, somewhat under-recognized early medieval texts, his discovery of emergent narrative styles in literary history, and his identification of “firsts” within the trajectory of early medieval literature. The article focuses on Professor Martínez Pizarro’s dedication to his students and accompanying beliefs that guided his career: teaching is vital to the scholarly project; language instruction extends the subtle craft of translation; and a medievalist worth their salt does not adhere slavishly to constraints of genre or periodization but explores generic overlaps while reading and teaching outside the medieval canon. For both writers, Professor Martínez Pizarro’s impact has been profound and ongoing. Showing a scholar of remarkable breadth and literary passion bequeathing some of what he knows, this essay makes a larger argument for the necessity of medieval studies to a healthy humanities curriculum.", "language": "en", "license": { "name": "Creative Commons Attribution-NonCommercial-NoDerivatives 4.0", "short_name": "CC BY-NC-ND 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\n\nNonCommercial — You may not use the material for commercial purposes.\n\nNoDerivatives — If you remix, transform, or build upon the material, you may not distribute the modified material.\n\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by-nc-nd/4.0" }, "keywords": [ { "word": "Joaquin Martinez Pizarro" } ], "section": "Cluster: The Teaching Archive", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/8jf7x518", "frozenauthors": [ { "first_name": "Edward", "middle_name": "", "last_name": "Currie", "name_suffix": "", "institution": "", "department": "None" }, { "first_name": "Jaclyn", "middle_name": "", "last_name": "Geller", "name_suffix": "", "institution": "", "department": "None" } ], "date_submitted": "2023-04-19T15:58:15-03:00", "date_accepted": "2023-04-19T15:58:15-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/ncs_pedagogyandprofession/article/40354/galley/30341/download/" } ] }, { "pk": 51981, "title": "Peripartum Cardiomyopathy", "subtitle": null, "abstract": "N/A", "language": "en", "license": { "name": "Creative Commons Attribution 4.0", "short_name": "CC BY 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\n\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by/4.0" }, "keywords": [], "section": "Simulation", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/0v30q3x8", "frozenauthors": [ { "first_name": "Victoria L", "middle_name": "", "last_name": "Morris", "name_suffix": "", "institution": "", "department": "" }, { "first_name": "Carolina", "middle_name": "", "last_name": "Mendoza", "name_suffix": "", "institution": "", "department": "" }, { "first_name": "Gowri S", "middle_name": "", "last_name": "Stevens", "name_suffix": "", "institution": "", "department": "" }, { "first_name": "Jessica L", "middle_name": "", "last_name": "Wilson", "name_suffix": "", "institution": "", "department": "" }, { "first_name": "Adeola A", "middle_name": "", "last_name": "Kosoko", "name_suffix": "", "institution": "", "department": "" } ], "date_submitted": "2023-05-10T16:17:35-03:00", "date_accepted": "2023-05-10T16:17:35-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/uciem_jetem/article/51981/galley/39372/download/" } ] }, { "pk": 56811, "title": "Philipp Schulz, Male Survivors of Wartime Sexual Violence: Perspectives From Northern Uganda.", "subtitle": null, "abstract": "n/a", "language": "en", "license": null, "keywords": [], "section": "Part IV—Book Reviews", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/65m6j2qw", "frozenauthors": [ { "first_name": "Jessica", "middle_name": "", "last_name": "Clouser", "name_suffix": "", "institution": "", "department": "" } ], "date_submitted": "2023-12-29T06:30:43-03:00", "date_accepted": "2023-12-29T06:30:43-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/ufahamu/article/56811/galley/43112/download/" } ] }, { "pk": 60272, "title": "PICTURE THIS: Applying the Fair Use Doctrine to Documentary Films after Google/Oracle and Warhol", "subtitle": null, "abstract": "The genre of documentary films has grown in both importance and audience reach over the past few decades, in no small part because of filmmakers’ reliance on the copyright doctrine of fair use. The expansion started after the passage of the 1976 Copyright Act and accelerated in the wake of the Supreme Court’s unanimous, landmark 1994 decision, Campbell v. Acuff-Rose Music, Inc., concerning a parodic rap-music send-up of a classic rock ‘n’ roll song. Over the years, a consistent body of case law evolved that provided a basis for making edit-room decisions about third-party content that filmmakers and their legal counsel could reasonably expect to be protected as fair use. Twenty-seven years later, the Court’s ruling in Google LLC v. Oracle America Inc. reaffirmed Campbell’s principles and the case law on which documentarians relied.\nHowever, the Supreme Court’s recent decision in Andy Warhol Foundation for the Visual Arts v. Goldsmith raised important questions about the proper application of the fair-use doctrine. The Warhol case involved the licensing of a work Warhol based, in his signature style, on Lynn Goldsmith’s photograph of Prince, the iconic musician and performer. After the Andy Warhol Foundation (“AWF”) prevailed in the district court, the Second Circuit reversed, rejecting the claim of fair use. In its petition for certiorari, AWF raised only a single question: whether the Second Circuit erred in holding that the first statutory fair-use factor prescribed by section 107 of the 1976 Copyright Act favored Goldsmith.", "language": "en", "license": { "name": "", "short_name": "", "text": null, "url": "" }, "keywords": [], "section": "Articles", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/4cj0r474", "frozenauthors": [ { "first_name": "Karen", "middle_name": "", "last_name": "Shatzkin", "name_suffix": "", "institution": "", "department": "" }, { "first_name": "Dale", "middle_name": "", "last_name": "Cohen", "name_suffix": "", "institution": "", "department": "" } ], "date_submitted": "2023-10-04T22:34:02-03:00", "date_accepted": "2023-10-04T22:34:02-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/uclalaw_elr/article/60272/galley/46231/download/" } ] }, { "pk": 20250, "title": "Política y forma visual. En torno al Grupo Ukamau y el Cine Club Cusco", "subtitle": null, "abstract": "Este artículo indaga en los puntos de contacto entre la producción del Grupo Ukamau (formado en Bolivia en 1968 por Jorge Sanjinés, Óscar Soria y Antonio Eguino) y la del Cine Club Cusco (Perú, 1955, fundado por, Manuel Chambi, Luis Figueroa y Eulogio Nishiyama, entre otros) a través de un análisis comparativo de los cortometrajes \nRevolución\n de Jorge Sanjinés (1963) y \nEl cargador\n de Luis Figueroa (1974). Tomando en consideración el hecho de que ambos se produjeron en los años posteriores a la institucionalización de procesos revolucionarios de carácter nacionalista y reformista (la Revolución Nacional de 1952 en Bolivia y la primera fase del Gobierno Revolucionario de las Fuerzas Armadas en el Perú en 1968), este trabajo busca entender dichas obras como intervenciones en la realidad que responden a estas coyunturas y, al mismo tiempo, las exceden. Por medio del análisis de sus imágenes y temáticas recurrentes, así como de sus coincidencias estéticas, se sugiere un encuentro simbólico que revela una compartida orientación hacia la autogestión colectiva como potencialidad política y horizonte de lucha a través de puestas en escena fuertemente ancladas en la materialidad de las condiciones de vida de sujetos precarizados.", "language": "en", "license": { "name": "Creative Commons Attribution 4.0", "short_name": "CC BY 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\r\n\r\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by/4.0" }, "keywords": [ { "word": "Cortometraje documental" }, { "word": "Grupo Ukamau" }, { "word": "Cine Club Cusco" }, { "word": "Peru" }, { "word": "Bolivia." } ], "section": "Article", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/752100g3", "frozenauthors": [ { "first_name": "Talía", "middle_name": "", "last_name": "Dajes", "name_suffix": "", "institution": "", "department": "None" } ], "date_submitted": "2023-12-31T12:46:10-03:00", "date_accepted": "2023-12-31T12:46:10-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/transmodernity/article/20250/galley/10042/download/" } ] }, { "pk": 40378, "title": "Politics, Identities and the Contemporary Medieval", "subtitle": null, "abstract": "This essay seeks to draw attention to the central place of the medieval in both the production of knowledge in the broader social sciences and in contemporary politics. Specifically, I do so through a series of examples that show how a concept of ‘the medieval’ is central in both the production of analytical notions of community, and in contemporary political debates about community and identity formation. Both in the social sciences and modern politics, this uniformized and monolithic concept of ‘the medieval’ works not only to constrain how we understand the period but also to limit our ability to imagine and understand politics beyond the nation-state. This centrality, I argue, calls for increased dialogue between scholars of medieval studies and those in other humanities and social science disciplines.", "language": "en", "license": { "name": "Creative Commons Attribution-NonCommercial-NoDerivatives 4.0", "short_name": "CC BY-NC-ND 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\n\nNonCommercial — You may not use the material for commercial purposes.\n\nNoDerivatives — If you remix, transform, or build upon the material, you may not distribute the modified material.\n\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by-nc-nd/4.0" }, "keywords": [], "section": "Cluster: The Social Value of Medieval Studies", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/1hs308ms", "frozenauthors": [ { "first_name": "Julia", "middle_name": "", "last_name": "Costa Lopez", "name_suffix": "", "institution": "", "department": "None" } ], "date_submitted": "2023-10-17T09:13:20-03:00", "date_accepted": "2023-10-17T09:13:20-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/ncs_pedagogyandprofession/article/40378/galley/30358/download/" } ] }, { "pk": 59456, "title": "POTENTIAL", "subtitle": null, "abstract": "", "language": "en", "license": null, "keywords": [], "section": "Cover", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/9z22175p", "frozenauthors": [ { "first_name": "Aarthi", "middle_name": "", "last_name": "Muthukumar", "name_suffix": "", "institution": "", "department": "" }, { "first_name": "Stephanie", "middle_name": "", "last_name": "Jue", "name_suffix": "", "institution": "", "department": "" } ], "date_submitted": "2023-09-17T18:10:15-03:00", "date_accepted": "2023-09-17T18:10:15-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/our_bsj/article/59456/galley/45448/download/" } ] }, { "pk": 53846, "title": "Preface by the Editor", "subtitle": null, "abstract": "The aim of this thematic collection is to offer new insights on wars and violent conflict in the Sudan either as case-studies or as broader historical patterns.", "language": "en", "license": { "name": "Creative Commons Attribution-NonCommercial 4.0", "short_name": "CC BY-NC 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\n\nNonCommercial — You may not use the material for commercial purposes.\n\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by-nc/4.0" }, "keywords": [], "section": "Articles", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/8cb44041", "frozenauthors": [ { "first_name": "Henriette", "middle_name": "", "last_name": "Hafsaas", "name_suffix": "", "institution": "Volda University College", "department": "" } ], "date_submitted": "2023-06-16T11:02:44-03:00", "date_accepted": "2023-06-16T11:02:44-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/dotawo/article/53846/galley/40745/download/" } ] }, { "pk": 57196, "title": "[Problem] Cerberus: Minimalistic Multi-shard Byzantine-resilient Transaction Processing", "subtitle": null, "abstract": "To enable scalable resilient blockchain systems, several powerful general-purpose approaches toward sharding such systems have been demonstrated. Unfortunately, these approaches all come with substantial costs for ordering andexecution of multi-shard transactions.\nIn this work, we ask whether one can achieve significantcost reductions for processing multi-shard transactions by limiting the type of workloads supported. To initiate the study of this problem, we propose CERBERUS, a family of minimalistic primitives for processing single-shard and multi-shard UTXO-like transactions. The first CERBERUS variant we propose is core-CERBERUS (CCERBERUS). CCERBERUS uses strict UTXO-based environmental requirements to enable powerful multi-shard transaction processing with an absolute minimum amount of coordination between shards. In the environment we designed CCERBERUS for, CCERBERUS will operate perfectly with respect to all transactions proposed and approved by well-behaved clients, but does not provide any other guarantees.\nTo illustrate that CCERBERUS -like protocols can also be of use in environments with faulty clients, we also demonstrate two generalizations of CCERBERUS, optimistic-CERBERUS and resilient-CERBERUS, that make different tradeoffs in complexity and costs when dealing with faulty behavior and attacks. Finally, we compare these three protocols and show their potential scalability and performance benefits over state-of-the-art general-purpose systems. These results underline the importance of the study of specialized approaches toward sharding in resilient systems.", "language": "en", "license": { "name": "Creative Commons Attribution-NonCommercial 4.0", "short_name": "CC BY-NC 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\n\nNonCommercial — You may not use the material for commercial purposes.\n\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by-nc/4.0" }, "keywords": [], "section": "Articles", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/6h427354", "frozenauthors": [ { "first_name": "Jelle", "middle_name": "", "last_name": "Hellings", "name_suffix": "", "institution": "", "department": "" }, { "first_name": "Daniel", "middle_name": "P.", "last_name": "Hughes", "name_suffix": "", "institution": "", "department": "" }, { "first_name": "Joshua", "middle_name": "", "last_name": "Primero", "name_suffix": "", "institution": "", "department": "" }, { "first_name": "Mohammad", "middle_name": "", "last_name": "Sadoghi", "name_suffix": "", "institution": "", "department": "" } ], "date_submitted": "2023-06-06T18:17:00-03:00", "date_accepted": "2023-06-06T18:17:00-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/jsys/article/57196/galley/43393/download/" } ] }, { "pk": 60845, "title": "‘Promising More than It Delivers’?: A Critical Reading of the HRC’s Daniel Billy et al v. Australia (2022) Decision Linking Climate Change and Human Rights", "subtitle": null, "abstract": "The United Nations Human Rights Committee’s 2022 Decision, \nDaniel Billy et al. v. Australia\n (“\nDaniel Billy\n” or “the Decision”), brought by Indigenous Peoples residing on the Torres Strait Islands off the coast of Australia, is the first case before an international human rights body to find that a State’s failure to adopt timely climate adaptation measures violates the human rights of Indigenous Peoples living in that State. In \nDaniel Billy\n, the Human Rights Committee (“the Committee”) found a violation of the right to privacy, family, and home and the right to culture; but not the right to life. Drawing on the International Covenant on Civil and Political Rights (“the Covenant”), the United Nations Declaration of the Rights of Indigenous Peoples (UNDRIP), and recent developments in the field of climate change and international human rights law (IHRL), this Comment discusses the significance and the limitations of \nDaniel Billy\n regarding the protection of the rights of Indigenous Peoples and others affected by climate change. We find that the advancements made in \nDaniel Billy\n are a big step toward holding states accountable for inadequateclimate adaptation measures.\nIn our analysis of the Decision’s shortcomings, however, we argue that \nDaniel Billy\n promises more than it delivers on two accounts. First, we argue that the failure of the Committee to clearly determine that states have a positive obligation to adopt climate change \nmitigation\n measures, in addition to \nadaptation\n measures is a significant limitation of the Decision. Without climate change mitigation, it will not be possible for Indigenous peoples on low-lyingi slands or in other climate-vulnerable locations to protect their land and way of life, the basis for several human rights. Further, climate change is perpetuated by industrialized states, but its effects are most keenly felt by communities, like that of the Torres Strait Islanders, who have contributed little to climate change. Neglecting to link states’ duty to mitigate climate change to human rights violations therefore ignores the colonial nature of climate change. Second, we argue that the Committee failed to consider the interconnectedness of the right to life with dignity in the context of climate change and Indigenous Peoples’ right to enjoy their culture when it rejected the Torres Strait Islanders’claim that Australia’s (in)action on climate change mitigation and adaptation violated the Islanders’ right to life with dignity. Notwithstanding these limitations, we conclude that the precedent set in \nDaniel Billy et a. v Australia\n will have a long-lasting positive impact in the fields of international environmental and human rights law.", "language": "en", "license": { "name": "", "short_name": "", "text": null, "url": "" }, "keywords": [], "section": "Comments", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/8n089243", "frozenauthors": [ { "first_name": "Sofie", "middle_name": "Elise", "last_name": "Quist", "name_suffix": "", "institution": "", "department": "" }, { "first_name": "Annika", "middle_name": "", "last_name": "Krafcik", "name_suffix": "", "institution": "", "department": "" } ], "date_submitted": "2023-11-09T14:47:21-03:00", "date_accepted": "2023-11-09T14:47:21-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/uclalaw_jelp/article/60845/galley/46809/download/" } ] }, { "pk": 59488, "title": "Protecting Innovation: The Tumultuous History and Uncertain Future of Biotechnology and Patents", "subtitle": null, "abstract": "", "language": "en", "license": { "name": "Creative Commons Attribution-NonCommercial-NoDerivatives 4.0", "short_name": "CC BY-NC-ND 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\n\nNonCommercial — You may not use the material for commercial purposes.\n\nNoDerivatives — If you remix, transform, or build upon the material, you may not distribute the modified material.\n\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by-nc-nd/4.0" }, "keywords": [], "section": "Features", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/5804j5t9", "frozenauthors": [ { "first_name": "Andrew", "middle_name": "", "last_name": "Delaney", "name_suffix": "", "institution": "", "department": "" } ], "date_submitted": "2024-05-14T22:04:22-03:00", "date_accepted": "2024-05-14T22:04:22-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/our_bsj/article/59488/galley/45478/download/" } ] }, { "pk": 59466, "title": "Pure Intentions", "subtitle": null, "abstract": "Pure Intentions", "language": "en", "license": null, "keywords": [], "section": "Science and the Arts", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/38w4t671", "frozenauthors": [ { "first_name": "Sania", "middle_name": "", "last_name": "Choudhary", "name_suffix": "", "institution": "", "department": "" } ], "date_submitted": "2023-09-17T18:27:55-03:00", "date_accepted": "2023-09-17T18:27:55-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/our_bsj/article/59466/galley/45458/download/" } ] }, { "pk": 20753, "title": "Qtelni ash-shar", "subtitle": null, "abstract": "", "language": "en", "license": { "name": "Creative Commons Attribution-NonCommercial 4.0", "short_name": "CC BY-NC 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\n\nNonCommercial — You may not use the material for commercial purposes.\n\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by-nc/4.0" }, "keywords": [], "section": "Articles", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/0s84b75q", "frozenauthors": [ { "first_name": "Ouissal", "middle_name": "", "last_name": "Harize", "name_suffix": "", "institution": "Durham University", "department": "None" } ], "date_submitted": "2023-06-22T14:11:02-03:00", "date_accepted": "2023-06-22T14:11:02-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/lamma/article/20753/galley/10519/download/" } ] }, { "pk": 59730, "title": "Quiet Riot: A Framework for Prosecuting the Open Carry of Firearms At Elections", "subtitle": null, "abstract": "Individuals openly toting high-powered firearms are descending upon America’s polling places, vote tabulation centers, and even the private residences of election officials. While states are free to banfire arms at election facilities, few have done so. Worse yet, statutes designed to prevent voter intimidation are ineffective, as they require prosecutors to prove intent to intimidate on the part of those who open carry. While that may seem obvious, putative defendants will contend they have no intent to intimidate anyone with their open display of firepower, and instead are merely seeking to “prevent voter fraud” or to defend themselves. Consequently, voter intimidation prosecutions are rarely brought.\nThis Article identifies an innovative strategy to combat intimidation by armed individuals at elections: the common law offense of riot. At common law, armed groups unauthorized by law were considered riots and punished as such for causing “public terror.” All but three states have either codified riot in their criminal codes or judicially adopted the common law offense. Although the statutory formulations of the crime vary, in many states, including those where there is a significant risk of election-related intimidation in upcoming elections, prosecutors could effectively deploy the law of riot against those who open carry at elections.\nThis Article canvasses the law of riot in the fifty states, provides a roadmap for prosecuting the offense under the various formulations of the law, and arms prosecutors with a much-needed weapon to disarm those who seek to intimidate voters and election officials.", "language": "en", "license": null, "keywords": [], "section": "Articles", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/72q742s8", "frozenauthors": [ { "first_name": "Matthew", "middle_name": "A.", "last_name": "Fogelson", "name_suffix": "", "institution": "", "department": "" } ], "date_submitted": "2023-10-16T21:37:18-03:00", "date_accepted": "2023-10-16T21:37:18-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/uclalaw_cjlr/article/59730/galley/45690/download/" } ] }, { "pk": 56799, "title": "Radical Africanism", "subtitle": null, "abstract": "Republished from \nUfahamu \n1972: Volume 3, Issue 2", "language": "en", "license": null, "keywords": [], "section": "Part II—Essays", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/8fn6k0pv", "frozenauthors": [ { "first_name": "Sondra", "middle_name": "", "last_name": "Hale", "name_suffix": "", "institution": "", "department": "" } ], "date_submitted": "2023-12-29T06:05:57-03:00", "date_accepted": "2023-12-29T06:05:57-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/ufahamu/article/56799/galley/43100/download/" } ] }, { "pk": 20206, "title": "Ramírez Rojas, Marco & Pilar Osorio Lora. Growing Up in Latin America. Child and Youth Agency in Contemporary Popular Culture. Lanham, Roman & Littlefield, 2022. 271 pp.", "subtitle": null, "abstract": "Ramírez Rojas, Marco & Pilar Osorio Lora. \nGrowing Up in Latin America. Child and Youth Agency in Contemporary Popular Culture.\n Lanham, Roman & Littlefield, 2022. 271 pp.", "language": "en", "license": { "name": "Creative Commons Attribution 4.0", "short_name": "CC BY 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\r\n\r\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by/4.0" }, "keywords": [], "section": "Book Reviews", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/0cv1k64w", "frozenauthors": [ { "first_name": "Carolina", "middle_name": "", "last_name": "Rocha", "name_suffix": "", "institution": "", "department": "None" } ], "date_submitted": "2023-06-05T23:25:00-03:00", "date_accepted": "2023-06-05T23:25:00-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/transmodernity/article/20206/galley/10035/download/" } ] }, { "pk": 59486, "title": "Rare Earth Nanoprobes in Revolutionizing Breast Cancer Surgery", "subtitle": null, "abstract": "", "language": "en", "license": { "name": "Creative Commons Attribution-NonCommercial-NoDerivatives 4.0", "short_name": "CC BY-NC-ND 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\n\nNonCommercial — You may not use the material for commercial purposes.\n\nNoDerivatives — If you remix, transform, or build upon the material, you may not distribute the modified material.\n\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by-nc-nd/4.0" }, "keywords": [], "section": "Features", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/032923w9", "frozenauthors": [ { "first_name": "Sania", "middle_name": "", "last_name": "Moghe", "name_suffix": "", "institution": "", "department": "" } ], "date_submitted": "2024-05-14T22:01:43-03:00", "date_accepted": "2024-05-14T22:01:43-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/our_bsj/article/59486/galley/45476/download/" } ] }, { "pk": 6296, "title": "Reading Between the Memes: Exploring Difficulty in Third Generation Electronic Literature", "subtitle": null, "abstract": "In the field of electronic literature, there is an interest in understanding current digital writing practices, termed third generation electronic literature. Many scholars claim that third-gen e-literature lacks an “aesthetic of difficulty.” This is a term introduced by Jessica Pressman, who applied it to first and second generation e-literature to describe the complex interpretation that must occur in their analysis. I claim that there is an aesthetic of difficulty found in third-gen e-literature, which I access through my concept “local intertextuality.” This phrase draws on the mathematical definition of local to specify intertextuality within a limited range of texts. Local intertextuality can be defined in two parts: firstly, the content directly connected to it through the platform it exists on, through creation by the same author, or interaction from the same users, among other possibilities; secondly, references to particular meme templates, fonts, and filters.\nBy scrolling through the poster's feed and encountering memes in different presentations, a reader can draw out difficult hermeneutics of the original meme. Moreover, utilizing Michel Serres’s concept of the parasite, a reader can draw out difficult politics of the original meme, in our case liberatory politics against monopolistic social media from the outside in. The meme enacts this by realizing the gap that exists between the power of social media and the users it subjugates. At its heart, what this paper argues is that third generation electronic literature can hold an aesthetic of difficulty—you just have to read between the memes.", "language": "en", "license": { "name": "All rights reserved", "short_name": "Copyright", "text": "© the author(s). All rights reserved.", "url": "https://creativecommons.org/licenses/authors" }, "keywords": [ { "word": "New Media" }, { "word": "electronic literature" }, { "word": "third generation electronic literature" }, { "word": "memes" }, { "word": "meme pages" }, { "word": "social media" }, { "word": "Instagram" }, { "word": "Instapoetry" }, { "word": "platform politics" }, { "word": "spatiality" }, { "word": "Michel Serres" } ], "section": "Articles", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/5hf7q9qh", "frozenauthors": [ { "first_name": "Mallen", "middle_name": "", "last_name": "Clifton", "name_suffix": "", "institution": "UC Berkeley", "department": "None" } ], "date_submitted": "2023-09-07T04:41:48-03:00", "date_accepted": "2023-09-07T04:41:48-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "", "path": "https://journalpub.escholarship.org/our_buj/article/6296/galley/3749/download/" } ] }, { "pk": 35820, "title": "Reclaiming Black Spaces in Jazz Dance", "subtitle": null, "abstract": "Jazz has never been about who can do the most pirouettes into a side aerial, or making sultry faces to earn competition points--it has been a creative space for freedom and healing, and could be again.", "language": "en", "license": { "name": "", "short_name": "", "text": null, "url": "" }, "keywords": [], "section": "Dance Major Journal 11", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/84z0053v", "frozenauthors": [ { "first_name": "Mercedes", "middle_name": "", "last_name": "Hicks", "name_suffix": "", "institution": "", "department": "None" } ], "date_submitted": "2023-10-13T18:16:09-03:00", "date_accepted": "2023-10-13T18:16:09-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/dmj/article/35820/galley/26685/download/" } ] }, { "pk": 57975, "title": "Recollections: Australian Connections, Collaborations, and Collections in the Sepik Region of Papua New Guinea, 1960s–1970s", "subtitle": null, "abstract": "This paper traces collecting practices and field research in the Sepik region of Papua New Guinea during the 1960s and 1970s, when there was heightened interest in the cultural heritage of Papua New Guineans in Australia. It begins with William Dargie, chairman of the Commonwealth Arts Advisory Board, who went to the Sepik in 1968–69. It then investigates the collecting activities of several other Australians working in the Sepik region at that time: Robert MacLennan, Helen and Paul Dennett, and Percy and Renata Cochrane. The paper also discusses exhibitions and collaborative projects that have arisen from these collections and field trips, signalling that a wealth of information remains to be discovered by researchers examining these archives.", "language": "en", "license": { "name": "Creative Commons Attribution-NonCommercial-NoDerivatives 4.0", "short_name": "CC BY-NC-ND 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\n\nNonCommercial — You may not use the material for commercial purposes.\n\nNoDerivatives — If you remix, transform, or build upon the material, you may not distribute the modified material.\n\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by-nc-nd/4.0" }, "keywords": [ { "word": "Sepik art, Kambot art, Abelam art, art collections, art collectors, Papua New Guinea, Territory of Papua and New Guinea, Australian National Gallery, Papua New Guinea National Museum and Art Gallery" } ], "section": "Articles & Creative Work", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/9gb0w78k", "frozenauthors": [ { "first_name": "Susan", "middle_name": "", "last_name": "Cochrane", "name_suffix": "", "institution": "", "department": "" } ], "date_submitted": "2024-01-21T11:38:35-03:00", "date_accepted": "2024-01-21T11:38:35-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/pacificarts/article/57975/galley/44151/download/" } ] }, { "pk": 60842, "title": "REDD+ and the Promotion of the Human Rights of Indigenous Peoples: the Case of Chile", "subtitle": null, "abstract": "Indigenous peoples are particularly vulnerable to the negative effects of climate change, as their livelihoods and ways of life depend heavily on natural resources impacted by climate variability and extremes. In addition, global climate governance and the implementation of climate projects often have damaging consequences on Indigenous peoples, including restricting their access to lands and resources. In this context, REDD+ as an international mechanism under the UNFCCC aimed at mitigating climate change through forest management, has raised concerns about its impact on the human rights of Indigenous peoples. To date, studies have shown that the implementation of REDD+ on a domestic level has had both negative and positive impacts in Indigenous peoples’ rights. Drawn from this tension, this article examines the relationship between the REDD+ mechanism and the rights of Indigenous peoples, focusing on its domestic operationalization in Chile.\nChile, with a vast forest network in indigenous territories, offers valuable insights. The article highlights that REDD+ in Chile has allowed Indigenous peoples to incorporate their concerns into national forest governance and has facilitated project development in collaboration with Indigenous communities. These efforts have resulted in both financial and non-financial benefits for these communities. However, the analysis reveals that progress in promoting Indigenous peoples’ rights has been primarily in individual rights rather than their collective rights as peoples. While REDD+ in Chile has shown potential in promoting social and economic rights of Indigenous peoples, further attention is needed to address collective rights such as self-determination, land rights, and Free, Prior and Informed Consent (FPIC).", "language": "en", "license": { "name": "", "short_name": "", "text": null, "url": "" }, "keywords": [], "section": "Articles", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/16v9m5ps", "frozenauthors": [ { "first_name": "Federico", "middle_name": "", "last_name": "Díaz Chacón", "name_suffix": "", "institution": "", "department": "" } ], "date_submitted": "2023-11-09T14:36:23-03:00", "date_accepted": "2023-11-09T14:36:23-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/uclalaw_jelp/article/60842/galley/46806/download/" } ] }, { "pk": 40377, "title": "Refugee Tales (UK) Meets Chaucer’s Canterbury Tales: An Australian’s Historical Perspective", "subtitle": null, "abstract": "There are and have been Australian voices strongly raised against the now long-running mandatory detention of refugee boat arrivals to Australian waters. Yet just as Indigenous Australians exist as part of an impersonal category for most Settler Australians, the absence of any widespread community protest against the brutal treatment of boat arrivals has in part fed off the lack of a broader cultural and historical frame within which to tell and hear individual refugee stories. These victims occupy a narrative space whose moral dimensions are blanked out, as an integral part of their maltreatment. For those who want change, pressing questions arise. What kind of stories could let these refugees be admitted to the category ‘Australian,’ in a more inclusive version of our actual and potential inhabitants? In this context, might Australia find a version of the model of national community that England has long drawn from Chaucer’s Canterbury Tales?", "language": "en", "license": { "name": "Creative Commons Attribution-NonCommercial-NoDerivatives 4.0", "short_name": "CC BY-NC-ND 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\n\nNonCommercial — You may not use the material for commercial purposes.\n\nNoDerivatives — If you remix, transform, or build upon the material, you may not distribute the modified material.\n\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by-nc-nd/4.0" }, "keywords": [], "section": "Cluster: The Social Value of Medieval Studies", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/8gn6s0z3", "frozenauthors": [ { "first_name": "Andrew", "middle_name": "", "last_name": "Lynch", "name_suffix": "", "institution": "", "department": "None" } ], "date_submitted": "2023-10-17T09:12:05-03:00", "date_accepted": "2023-10-17T09:12:05-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/ncs_pedagogyandprofession/article/40377/galley/30357/download/" } ] }, { "pk": 45321, "title": "Reimagining the German-Polish Borderlands in Nowa Amerika and Slubfurt1", "subtitle": null, "abstract": "Nowa Amerika and Słubfurt are two related activist art projects that are set in the German-Polish borderland. Nowa Amerika is an imagined country, and Słubfurt its capital. This contribution introduces these projects and examines their underlying cosmopolitan principles and their strategies of reality construction and performance. The analysis highlights how Nowa Amerika intervenes in the borderland’s spatial and temporal reality and creates new narratives that challenge established political, cultural, and social boundaries. On the one hand, the projects engage critically with existing borders and produce a cosmopolitan vision for the borderland by playfully subverting the borders of the nation state: They remap the borderland as a shared space, for example, through the creation of new cartographies or by bringing people together to form cross-border networks within the local community. On the other hand, their decided focus on the present and future means that historical context is at times oversimplified or elided, thus blurring the cosmopolitan vision. This article invites thinking about the tensions and difficulties that are embedded in cosmopolitan projects, as well as the challenges and taboos in the relationship between Germany and Poland.", "language": "en", "license": { "name": "Creative Commons Attribution-NonCommercial-NoDerivatives 4.0", "short_name": "CC BY-NC-ND 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\n\nNonCommercial — You may not use the material for commercial purposes.\n\nNoDerivatives — If you remix, transform, or build upon the material, you may not distribute the modified material.\n\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by-nc-nd/4.0" }, "keywords": [ { "word": "Germany" }, { "word": "Poland" }, { "word": "borderland" }, { "word": "cosmopolitanism" }, { "word": "performance" }, { "word": "activist art" } ], "section": "Articles", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/9m89t8pr", "frozenauthors": [ { "first_name": "Karolina", "middle_name": "", "last_name": "May-Chu", "name_suffix": "", "institution": "", "department": "None" } ], "date_submitted": "2023-10-02T00:50:00-03:00", "date_accepted": "2023-10-02T00:50:00-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/transit/article/45321/galley/34110/download/" } ] }, { "pk": 59448, "title": "Reject Bird, Embrace Dinosaur: How Ratites Lost the Ability to Fly, Four Times", "subtitle": null, "abstract": "", "language": "en", "license": null, "keywords": [], "section": "Features", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/5mt2r447", "frozenauthors": [ { "first_name": "Michael", "middle_name": "", "last_name": "Xiong", "name_suffix": "", "institution": "", "department": "" } ], "date_submitted": "2023-09-17T17:49:20-03:00", "date_accepted": "2023-09-17T17:49:20-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/our_bsj/article/59448/galley/45440/download/" } ] }, { "pk": 45320, "title": "Remembering and Remapping Breslaff: Resurfacing German and Queer Topographies in Contemporary Polish Literature", "subtitle": null, "abstract": "This article focuses on the role of contemporary Polish literature in bringing back that which has been repressed under communism: the Germanness of the so-called “regained territories”, i.e. territories that became Polish due to the changes of national borders after the Second World War, as well as the marginalized queer life. I discuss two novels that feature the city of Wrocław, formerly German Breslau: Marek Krajewski’s Death in Breslau (1999) and Michał Witkowski’s Lovetown (2004). My analysis draws parallels between bringing back the German past of the city and remembering queer life during communism in fiction. Marek Krajewski situates the plot of his highly popular crime novel in Breslau in the 1930s. By doing so, he fictionally recreates the former German city which allows the reader to rediscover its past and foreign layer. Michał Witkowski’s prose performs a similar task by describing parts of the city that were central to queer culture but hidden from the experience of the “general public” under communism. I argue that remembering takes effect through remapping and that this literary remapping destabilizes the narrative about Polish culture as a homogeneous block of monolingualism, Catholicism, and heteronormativity. Furthermore, the fictional topographies of the German Breslau and the queer Wrocław alter the existing geospace by overlaying a suppressed otherness onto it.", "language": "en", "license": { "name": "Creative Commons Attribution-NonCommercial-NoDerivatives 4.0", "short_name": "CC BY-NC-ND 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\n\nNonCommercial — You may not use the material for commercial purposes.\n\nNoDerivatives — If you remix, transform, or build upon the material, you may not distribute the modified material.\n\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by-nc-nd/4.0" }, "keywords": [ { "word": "memory" }, { "word": "mapping" }, { "word": "contemporary Polish literature" }, { "word": "Topography" }, { "word": "identity" } ], "section": "Articles", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/62k1445w", "frozenauthors": [ { "first_name": "Alicja", "middle_name": "", "last_name": "Kowalska", "name_suffix": "", "institution": "", "department": "None" } ], "date_submitted": "2023-10-02T00:46:04-03:00", "date_accepted": "2023-10-02T00:46:04-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/transit/article/45320/galley/34109/download/" } ] }, { "pk": 20246, "title": "Representaciones de América Latina en la prensa árabe. El caso del Kuwait Times", "subtitle": null, "abstract": "Este artículo examina las representaciones de Latinoamérica que circularon por el golfo arábigo a través del periódico \nKuwait Times\n. Utilizando material de archivo, esta investigación se enmarca en el quinquenio posterior a la independencia de Kuwait en 1961, teniendo en cuenta su proyecto de consolidación nacional. La investigación se desarrolla a partir de tres narrativas mediáticas coexistentes. La primera se debe al interés inicial de Kuwait en crear vínculos diplomáticos con Latinoamérica en las Naciones Unidas para garantizar su soberanía. La segunda tiene que ver con las noticias culturalistas cargadas de emotividad que versan sobre dicha región. Y, por último, una narrativa que aborda los hechos históricos de un convulso continente polarizado por las potencias mundiales. Entre tanto, se sugiere que el \nKuwait Times\n utiliza la objetividad y la emoción para “hacer pensable” una entidad remota e inaccesible como lo era América Latina en aquel momento. Al final, se concluye que el \nKuwait Times\n, al legitimarse como un mediador cultural, que, si bien depende de las fuentes metropolitanas, desplaza su discurso hacia un compromiso con el sur global.", "language": "en", "license": { "name": "Creative Commons Attribution 4.0", "short_name": "CC BY 4.0", "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\r\n\r\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.", "url": "https://creativecommons.org/licenses/by/4.0" }, "keywords": [ { "word": "representación, prensa árabe, Naciones Unidas, América Latina, Medio Oriente, Kuwait, Kuwait Times" } ], "section": "Article", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/0jt337v2", "frozenauthors": [ { "first_name": "Mauricio", "middle_name": "", "last_name": "Duarte", "name_suffix": "", "institution": "", "department": "None" } ], "date_submitted": "2023-12-31T12:36:22-03:00", "date_accepted": "2023-12-31T12:36:22-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/transmodernity/article/20246/galley/10038/download/" } ] }, { "pk": 59461, "title": "Reproductive Biology of Endangered Thespesia populnea in Comparison to its Common Relative Hibiscus tiliaceus", "subtitle": null, "abstract": "", "language": "en", "license": null, "keywords": [], "section": "Research", "is_remote": true, "remote_url": "https://escholarship.org/uc/item/8zd3703t", "frozenauthors": [ { "first_name": "Tina", "middle_name": "", "last_name": "Li", "name_suffix": "", "institution": "", "department": "" } ], "date_submitted": "2023-09-17T18:23:17-03:00", "date_accepted": "2023-09-17T18:23:17-03:00", "date_published": "2022-12-31T21:00:00-03:00", "render_galley": null, "galleys": [ { "label": "", "type": "pdf", "path": "https://journalpub.escholarship.org/our_bsj/article/59461/galley/45453/download/" } ] } ] }