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{
    "pk": 19994,
    "title": "“Yo amo a China”: la experiencia de una mujer en la China de los sesenta, Los ojos de bambú (1964), de Mercedes Valdivieso",
    "subtitle": null,
    "abstract": "A pesar del alto volumen de viajeros a la República Popular China y América Latina durante la Guerra Fría, este continúa siendo un tema poco estudiado. Tomando como marco general los textos publicados por los protagonistas de estos viajes, este artículo explora la novela de la escritora chilena Mercedes Valdivieso \nLos ojos de bambú\n (1964) Escrita en tono autobiográfico, la novela nos permite conjeturar un rescate de la experiencia de una mujer del periodo, permitiendo un acercamiento a las experiencias tanto de los viajeros latinoamericanos como de una mujer y sus experiencias de hospitalidad en la China maoísta. Tomando en consideración las formas elegidas para la publicación del testimonio sobre el viaje a la China del periodo, se aborda la novela como fuente útil para la comprensión de la experiencia de las visitas a China en los sesenta, y como expresión de la diplomacia cultural\nDespite the high number of travelers to the People's Republic of China and Latin America during the Cold War, this continues to be an understudied topic. Taking the texts published by the travelers themselves as a general framework, this article explores the novel by the Chilean writer Mercedes Valdivieso \nLos ojos de bambú\n (1964) [“\nBamboo Eyes\n”]. Written in an autobiographical tone, the novel reveals the experience of a woman during the period, allowing us to analyze the experiences of Latin American travelers along with those of a woman and her hospitality experiences in Maoist China. Considering the means chosen to publish testimonials of China trips then, the novel is here considered a useful source to understand the experience of travel to China as well as an example of cultural diplomacy.",
    "language": "en",
    "license": {
        "name": "Creative Commons Attribution 4.0",
        "short_name": "CC BY 4.0",
        "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\r\n\r\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.",
        "url": "https://creativecommons.org/licenses/by/4.0"
    },
    "keywords": [
        {
            "word": "China, diplomacia cultural, hospitalidad, viaje, Chile, mujeres"
        }
    ],
    "section": "Article",
    "is_remote": true,
    "remote_url": "https://escholarship.org/uc/item/3bx5x280",
    "frozenauthors": [
        {
            "first_name": "María",
            "middle_name": "",
            "last_name": "Montt Strabucchi",
            "name_suffix": "",
            "institution": "",
            "department": "None"
        }
    ],
    "date_submitted": "2020-05-13T21:33:05-04:00",
    "date_accepted": "2020-05-13T21:33:05-04:00",
    "date_published": "2019-12-31T19:00:00-05:00",
    "render_galley": null,
    "galleys": [
        {
            "label": "",
            "type": "pdf",
            "path": "https://journalpub.escholarship.org/transmodernity/article/19994/galley/9932/download/"
        }
    ]
}