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{
    "pk": 40613,
    "title": "On Irons, Bones, and Stones, or an Experiment in California-Italian Thinking on the ‘Plastic’ between Aby Warburg’s Plastic Art, Gelett Burgess’ Goops, and Piet Mondrian’s Plasticism",
    "subtitle": null,
    "abstract": "In recent art history, the “plastic” is a concept undervalued as a designation for sculpture, or, in perception, as a single sense associated with touch. “Plasticity,” as popularized by the neurosciences, is generally understood as an elastic adaptability that evades fixity for flexibility. Current continental philosophy has revisited plasticity for its explosive rather than regenerative capacity to receive and produce form; however, this rethinking has neglected the concept of the plastic in art. Using scholarly comedy to explore accidents of resemblance (pseudomorphisms) and acausal coincidences (synchronicities) among artist-writer Piet Mondrian’s “plasticism,” art historian Aby Warburg’s “plastic art,” and artist-humorist Gelett Burgess’ plastic figure called “goop,” this essay generates insights on the concept of the plastic in art history, artist writings and art practice.",
    "language": "en",
    "license": {
        "name": "Creative Commons Attribution-NonCommercial  4.0",
        "short_name": "CC BY-NC 4.0",
        "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\n\nNonCommercial — You may not use the material for commercial purposes.\n\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.",
        "url": "https://creativecommons.org/licenses/by-nc/4.0"
    },
    "keywords": [
        {
            "word": "Plasticity, Plastic, comic, tragic, Mnemosyne Atlas, Aby Warburg, Robert Vischer, Adolf von Hildebrand, Gelett Burgess, G.W.F. Hegel, Neurasthenia, incorporation, introjection, embodiment, art history"
        }
    ],
    "section": "Exemplification",
    "is_remote": true,
    "remote_url": "https://escholarship.org/uc/item/7q70113v",
    "frozenauthors": [
        {
            "first_name": "Emily Verla",
            "middle_name": "",
            "last_name": "Bovino",
            "name_suffix": "",
            "institution": "UC San Diego",
            "department": "None"
        }
    ],
    "date_submitted": "2015-08-12T02:35:57Z",
    "date_accepted": "2015-08-12T02:35:57Z",
    "date_published": "2016-12-15T18:09:58Z",
    "render_galley": null,
    "galleys": [
        {
            "label": "",
            "type": "pdf",
            "path": "https://journalpub.escholarship.org/cisj/article/40613/galley/30490/download/"
        }
    ]
}