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{
    "pk": 40969,
    "title": "\"La lente bifocale\": lineamenti metodologici di una possibile storia del \"campo\" poetico italiano degli anni Settanta del Novecento",
    "subtitle": null,
    "abstract": "<p>The quantitative and qualitative broadening of the Italian poetic field in the 1970s, which occurred in response to the profound coeval socio-cultural changes (mass schooling, proletarianization of culture, emergence of new political-poetic and social subjects), requires literary critics interested in reconstructing the poetic framework of the decade to substantially update their tools of inquiry. The idealistic, inductive and often \"monofocal\" approach most frequented by Italian academic criticism, accustomed to treating the text as an autonomous organism and ignoring its correlations with its historical and material context of reference, has so far revealed its inadequacy in accounting for the plurality of poetic and cultural experiences of those \"hyper-historical\" years, ending up by entrenching itself in an asphyxiated geo-editorial canon and in anachronistic trend categories that are hardly representative of the actual context of the decade under consideration. This paper aims to draw the methodological lineaments of a \"bifocal\" approach to the 1970s, namely one that reconciles context reconstruction and text analysis, sociological inquiry and stylistic-philological criticism, close and distant reading, based in particular on the operational model offered by Pierre Bourdieu's literary sociology (with forays into the theories of Antonio Gramsci, Pascale Casanova, Alain Viala and Franco Moretti). After briefly sketching the structural changes occurred in the post-sixty-eight historical-poetic landscape and reconstructing the terms, places and editorial modes of the critical debate around the poetry of the 1970s (paragraphs 1 and 2), this article proceeds to a theoretical reconnaissance around Bourdieusian notions of \"field,\" \"conflict\" and \"habitus\" and then proposes an empirical application of them to the specific Italian poetic field of the decade (paragraphs 3 and 4).</p>",
    "language": null,
    "license": {
        "name": "Creative Commons Attribution-NonCommercial  4.0",
        "short_name": "CC BY-NC 4.0",
        "text": "Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.\n\nNonCommercial — You may not use the material for commercial purposes.\n\nNo additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.",
        "url": "https://creativecommons.org/licenses/by-nc/4.0"
    },
    "keywords": [
        {
            "word": "Poetry"
        },
        {
            "word": "Critics"
        },
        {
            "word": "sociology"
        },
        {
            "word": "Literary Field"
        },
        {
            "word": "Canon"
        }
    ],
    "section": "Notes from the Field",
    "is_remote": true,
    "remote_url": "https://escholarship.org/uc/item/3fx5v704",
    "frozenauthors": [
        {
            "first_name": "Germana",
            "middle_name": "",
            "last_name": "Dragonieri",
            "name_suffix": "",
            "institution": "Other",
            "department": ""
        }
    ],
    "date_submitted": "2024-07-05T06:44:52-07:00",
    "date_accepted": "2025-07-26T10:32:16.923000-07:00",
    "date_published": "2025-10-21T09:54:00-07:00",
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        "label": "PDF",
        "type": "pdf",
        "path": "https://journalpub.escholarship.org/cisj/article/40969/galley/40810/download/"
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}