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{
    "pk": 42610,
    "title": "Global Mexico’s Coproduction: \nBabel\n, \nPan’s Labyrinth\n, and \nChildren of Men",
    "subtitle": null,
    "abstract": "This essay compares and contrasts \nBabel\n, \nPan’s Labyrinth\n, and \nChildren of Men\n’s treatments of global Mexico. It focuses on each film’s representations of white femininity and children (variously absent, potentially revolutionary, and messianic). In addition, it offers preliminary notes on a theory of “coproduction” as both an aesthetic response to, and an effect of, neoliberal and alter-globalizations.",
    "language": "en",
    "license": null,
    "keywords": [
        {
            "word": "Mexico"
        },
        {
            "word": "Global"
        },
        {
            "word": "Babel"
        },
        {
            "word": "Pan's Labyrinth"
        },
        {
            "word": "Children of Men"
        },
        {
            "word": "coproduction"
        },
        {
            "word": "Cultural Studies"
        }
    ],
    "section": "SPECIAL FORUM: Revolutions and Heterotopias",
    "is_remote": true,
    "remote_url": "https://escholarship.org/uc/item/4bp4x1sg",
    "frozenauthors": [
        {
            "first_name": "Amy",
            "middle_name": "Sara",
            "last_name": "Carroll",
            "name_suffix": "",
            "institution": "University of Michigan",
            "department": "None"
        }
    ],
    "date_submitted": "2012-12-28T12:57:54-08:00",
    "date_accepted": "2012-12-28T12:57:54-08:00",
    "date_published": "2012-12-29T10:04:55-08:00",
    "render_galley": null,
    "galleys": [
        {
            "label": "",
            "type": "pdf",
            "path": "https://journalpub.escholarship.org/jtas/article/42610/galley/31810/download/"
        }
    ]
}