Article Instance

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{
    "pk": 58109,
    "title": "Cultural Heritage and Spectacle: Painted and Digital Panoramic Re-Presentations of Versailles",
    "subtitle": null,
    "abstract": "By comparing and contrasting two panoramic projects of Versailles, one being a painted panorama by John Vanderlyn (1775-1852) completed in 1819 and the other, part of Google’s World Wonders Project launched in 2012, this paper will examine the notion of heritage as a tangible entity, experiential consumable, and identity maker, and show how heritage sites and the panorama (both painted and digital) act as a spectacle that seeks to fulfill the needs and desires of its visitors to consume past and present cultural landscapes.",
    "language": "en",
    "license": {
        "name": "",
        "short_name": "",
        "text": null,
        "url": ""
    },
    "keywords": [
        {
            "word": "Painted Panorama, Google Street View, John Vanderlyn, Cultural Heritage, Versailles"
        }
    ],
    "section": "Articles",
    "is_remote": true,
    "remote_url": "https://escholarship.org/uc/item/339598d3",
    "frozenauthors": [
        {
            "first_name": "Seth",
            "middle_name": "",
            "last_name": "Thompson",
            "name_suffix": "",
            "institution": "American University of Sharjah",
            "department": ""
        }
    ],
    "date_submitted": "2016-01-16T03:39:41+05:30",
    "date_accepted": "2016-01-16T03:39:41+05:30",
    "date_published": "2016-10-22T04:22:06+05:30",
    "render_galley": null,
    "galleys": [
        {
            "label": "",
            "type": "pdf",
            "path": "https://journalpub.escholarship.org/ucdavislibrary_streetnotes/article/58109/galley/44271/download/"
        }
    ]
}