Article Instance

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{
    "pk": 5928,
    "title": "Indirect Communication - The Shadow in Paradise Lost",
    "subtitle": null,
    "abstract": "In John Milton’s Paradise Lost, the shadow symbol shows how the idea of God functions in a secular context. This symbol creates a parallel between worship and the creative act; both actions constitute efforts toward union through indirect communication. The persistence of this symbol--from works as old as Dante’s Divine Comedy to David Foster Wallace’s Infinite Jest of 1996--inspires further examination of how this parallel affects the way we view art.",
    "language": "en",
    "license": {
        "name": "All rights reserved",
        "short_name": "Copyright",
        "text": "© the author(s). All rights reserved.",
        "url": "https://creativecommons.org/licenses/authors"
    },
    "keywords": [
        {
            "word": "Milton, Paradise Lost, Nietzsche, shadow, self, perceptual metaphor, author, reader"
        },
        {
            "word": "English Literature, Critical Theory"
        }
    ],
    "section": "Articles",
    "is_remote": true,
    "remote_url": "https://escholarship.org/uc/item/5rg282p1",
    "frozenauthors": [
        {
            "first_name": "Megan",
            "middle_name": "Brianne",
            "last_name": "Clement",
            "name_suffix": "",
            "institution": "UC Berkeley",
            "department": "None"
        }
    ],
    "date_submitted": "2013-02-23T04:06:24Z",
    "date_accepted": "2013-02-23T04:06:24Z",
    "date_published": "2013-05-21T07:00:00Z",
    "render_galley": null,
    "galleys": [
        {
            "label": "",
            "type": "",
            "path": "https://journalpub.escholarship.org/our_buj/article/5928/galley/3636/download/"
        }
    ]
}